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Film & History: An Interdisciplinary Journal of Film and Television Studies

Volume 38.1 (2008)

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E-ISSN: 1548-9922 Print ISSN: 0360-3695

Table of Contents

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Editor’s Introduction
pp. 6-7

Feature Issue: Documentaries, Part 1

Hearts and Minds and Bodies: Reconsidering the Cinematic Language of The Battle of the Somme
pp. 9-19
The Civil War: A Battleground of Meaning
pp. 21-30
Documenting Racism in an Agricultural Extension Film
pp. 33-43
The Holocaust Repressed:
pp. 45-52
Cultural Learnings of Borat Make for Benefit Glorious Study of Documentary
pp. 53-63

Film Reviews

Joyeux Noel (Merry Christmas) (review)
pp. 65-66
The Perfect Corpse (review)
pp. 66-67
March of the Bonus Army (2006) (review)
pp. 67-68
Nam June Paik: Lessons from the Video Master (2007) (review)
pp. 69-69
Blockade (2006) (review)
pp. 70-71
The Empire in Africa (review)
pp. 71-73
Iran: A Cinematographic Revolution (review)
pp. 73-75
Rachel Carson’s Silent Spring (review)
pp. 75-76
Negroes With Guns: Rob Williams and the Roots of Black Power (review)
pp. 76-77
Absolute Wilson (review)
pp. 78-79

Book Reviews

Ephemeral Nature
pp. 81-82
Merit Attention
pp. 82-83
Textual Fidelity
pp. 83-84
Appallingly Carnivalesque
pp. 84-85
Wildest Dreams
pp. 86-86
Shut Your Yap
pp. 87-88
East Coast Foil
pp. 88-89
Cultural Uncertainty
pp. 89-90
Programming Practices
pp. 91-93
Commemorate, Celebrate, and Continue
pp. 93-94
Fraught Relationship
pp. 94-95
Sound Partner
pp. 96-97

© 2009 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.