We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 34, Number 2, 2013

Table of Contents

Editor’s Foreword

pp. v-viii

Articles

Who Does Little but Listen: Playing O’Neill’s Hughie

pp. 145-166

Desire beyond the Château d’If: Eugene O’Neill and the Fortunes of Monte Cristo

pp. 167-182

Memory and Guilt: Parenting in Tracy Letts’s August: Osage County and Eugene O’Neill’s Long Day’s Journey Into Night

pp. 183-197

O’Neill, Cognition, and the Common Core Standards

pp. 198-226

My Transformation through the O’Neill Society

pp. 227-232

“That goes for Sweeny”: Jamie Tyrone’s Slang Phrase from Act 4 of Long Day’s Journey Into Night

pp. 233-235

Tribute: Frederick Charles Wilkins (1935–2013)

pp. 236-252

Book Reviews

Eugene O'Neill's One-Act Plays: New Critical Perspectives ed. by Michael Y. Bennett and Benjamin D. Carson (review)

pp. 253-256

Critical Insights: Eugene O’Neill ed. by Steven F. Bloom (review)

pp. 257-260

Performance Reviews

Foreword: Performance Reviews

pp. 261-262

More Stately Mansions dir. by Eric Fraisher Hayes (review)

pp. 263-265

Hughie dir. by Doug Hughes (review)

pp. 266-268

Long Day’s Journey Into Night dir. by Nathaniel Swift (review)

pp. 269-272

Long Day’s Journey Into Night dir. by Joe Dowling (review)

pp. 273-275

The Emperor Jones dir. by Lois Elswick (review)

pp. 276-279

Notes on Contributors

pp. 280-283

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access