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In this Issue

Table of Contents

  1. “I’m a Dirty Girl”
  2. Linda M. Morra
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/esc.2014.0019
  5. restricted access
  1. The Temporality of Dirt: Queer Materiality in Jarman’s Modern Nature
  2. Jim Ellis
  3. pp. 9-13
  4. DOI: https://doi.org/10.1353/esc.2014.0023
  5. restricted access
  1. Valuing the Devalued, or Dirty Apprehension
  2. Travis V. Mason
  3. pp. 14-18
  4. DOI: https://doi.org/10.1353/esc.2014.0027
  5. restricted access
  1. Efficient” Creativity and the Residue of the Humanities
  2. Lai-Tze Fan
  3. pp. 19-24
  4. DOI: https://doi.org/10.1353/esc.2014.0030
  5. restricted access
  1. Dirty Humanities: Lessons from the “Experiment in Education” at the Madras Orphan Asylum
  2. Sina Rahmani
  3. pp. 25-30
  4. DOI: https://doi.org/10.1353/esc.2014.0033
  5. restricted access
  1. Slow Violence and Dirty Mourning
  2. Cheryl Lousley
  3. pp. 31-36
  4. DOI: https://doi.org/10.1353/esc.2014.0013
  5. restricted access
  1. Dirty Protests, Dirty Thoughts
  2. Michael Epp
  3. pp. 37-40
  4. DOI: https://doi.org/10.1353/esc.2014.0017
  5. restricted access
  1. I Object: Writing Against the Contemporary
  2. Gregory Betts
  3. pp. 41-63
  4. DOI: https://doi.org/10.1353/esc.2014.0021
  5. restricted access
  1. I Just Love Ethel Wilson: A Reparative Reading of The Innocent Traveller
  2. Misao Dean
  3. pp. 65-81
  4. DOI: https://doi.org/10.1353/esc.2014.0025
  5. restricted access
  1. This hunger is dna you cannot undo”: Anorexia and Economically Oriented Subjects in Ibi Kaslik’s Skinny
  2. Cara Fabre
  3. pp. 83-107
  4. DOI: https://doi.org/10.1353/esc.2014.0029
  5. restricted access
  1. “There is another story, there always is …”: Red Dog Red Dog and the Okanagan
  2. George Grinnell
  3. pp. 109-131
  4. DOI: https://doi.org/10.1353/esc.2014.0032
  5. restricted access
  1. Place and Memory: Rethinking the Literary Map of Canada
  2. Sarah Wylie Krotz
  3. pp. 133-154
  4. DOI: https://doi.org/10.1353/esc.2014.0012
  5. restricted access
  1. Mad Translation in Leonard Cohen’s Beautiful Losers and Douglas Glover’s Elle
  2. Robert David Stacey
  3. pp. 173-197
  4. DOI: https://doi.org/10.1353/esc.2014.0020
  5. restricted access
  1. Short Story Theories: A Twenty-First-Century Perspective ed. by Viorica Patea (review)
  2. Michael Trussler
  3. pp. 199-206
  4. DOI: https://doi.org/10.1353/esc.2014.0024
  5. restricted access
  1. Sentimental Readers: The Rise, Fall, and Revival of a Disparaged Rhetoric by Faye Halpern (review)
  2. Amy Coté
  3. pp. 210-213
  4. DOI: https://doi.org/10.1353/esc.2014.0031
  5. restricted access
  1. The Metaphor of Celebrity: Canadian Poetry and the Public, 1955–1980 by Joel Deshaye (review)
  2. Kit Dobson
  3. pp. 214-216
  4. DOI: https://doi.org/10.1353/esc.2014.0011
  5. restricted access
  1. Cities in Translation: Intersections of Language and Memory by Sherry Simon (review)
  2. Andre Furlani
  3. pp. 216-220
  4. DOI: https://doi.org/10.1353/esc.2014.0014
  5. restricted access
  1. Making Noise, Making News: Suffrage Print Culture and U.S. Modernism by Mary Chapman (review)
  2. Janice Schroeder
  3. pp. 226-229
  4. DOI: https://doi.org/10.1353/esc.2014.0026
  5. restricted access
  1. Introduction: The Dirt on Dirt Today
  2. Mark Simpson
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/esc.2014.0015
  5. restricted access