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Table of Contents

  1. Cynicism, the Heuristic Pharmakon
  2. Mark A. McCutcheon
  3. pp. 4-7
  4. DOI: https://doi.org/10.1353/esc.2012.0024
  5. restricted access
  1. A Defense of Publicity
  2. Frank Davey
  3. pp. 8-12
  4. DOI: https://doi.org/10.1353/esc.2012.0020
  5. restricted access
  1. Liminal States and Provisional Citizens
  2. Brad Congdon
  3. pp. 13-16
  4. DOI: https://doi.org/10.1353/esc.2012.0017
  5. restricted access
  1. Between Hope and Cynicism: A Dogged Call to Action
  2. Erin Wunker
  3. pp. 17-20
  4. DOI: https://doi.org/10.1353/esc.2012.0028
  5. restricted access
  1. Academic Citizen Subjects
  2. Lily Cho
  3. pp. 21-24
  4. DOI: https://doi.org/10.1353/esc.2012.0014
  5. restricted access
  1. Publishers, “Pirates,” and the Formation of Regency Authorship
  2. Ronald Tetreault
  3. pp. 29-48
  4. DOI: https://doi.org/10.1353/esc.2012.0026
  5. restricted access
  1. Authorship in Eighteen Hundred and Eleven: An Integral Approach
  2. Robert K. Lapp
  3. pp. 49-70
  4. DOI: https://doi.org/10.1353/esc.2012.0016
  5. restricted access
  1. The Cento, Romanticism, and Copyright
  2. Mark A. McCutcheon
  3. pp. 71-101
  4. DOI: https://doi.org/10.1353/esc.2012.0012
  5. restricted access
  1. Recountings: On Dickens’s Financial Memory
  2. Sara Malton
  3. pp. 137-156
  4. DOI: https://doi.org/10.1353/esc.2012.0019
  5. restricted access
  1. Crosstalk: Canadian and Global Imaginaries in Dialogue ed. by Diane Brydon and Marta Dvořák (review)
  2. Kit Dobson
  3. pp. 199-203
  4. DOI: https://doi.org/10.1353/esc.2012.0011
  5. restricted access
  1. Anne of Tim Hortons: Globalization and the Reshaping of Atlantic-Canadian Literature by Herb Wyile (review)
  2. Danielle Fuller
  3. pp. 203-207
  4. DOI: https://doi.org/10.1353/esc.2012.0029
  5. restricted access
  1. DisPossession: Haunting in Canadian Fiction by Marlene Goldman (review)
  2. Sarah Wylie Krotz
  3. pp. 207-210
  4. DOI: https://doi.org/10.1353/esc.2012.0025
  5. restricted access
  1. From Form to Meaning: Freshman Composition and the Long Sixties, 1957–1974 by David Fleming (review)
  2. Lucie Moussu
  3. pp. 210-215
  4. DOI: https://doi.org/10.1353/esc.2012.0021
  5. restricted access
  1. Women, Popular Culture, and the Eighteenth Century ed. by Tiffany Potter (review)
  2. Donald W. Nichol
  3. pp. 215-218
  4. DOI: https://doi.org/10.1353/esc.2012.0018
  5. restricted access
  1. Introduction: Cynicism and/as Academic Citizenship
  2. Robert Zacharias
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/esc.2012.0010
  5. restricted access
  1. Authorship, Genre, and Copyright in the Romantic Period: Introduction
  2. Anthony John Harding
  3. pp. 25-28
  4. DOI: https://doi.org/10.1353/esc.2012.0013
  5. restricted access
  1. On Selecting Irving Layton’s Seductive Invective; or, an Addendum to Trehearne
  2. George Elliott Clarke
  3. pp. 103-135
  4. DOI: https://doi.org/10.1353/esc.2012.0023
  5. restricted access