ESC: English Studies in Canada
Volume 33, Issue 4, December 2007
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E-ISSN: 1913-4835 Print ISSN: 0317-0802
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Your Subscribed ContentSpecial Issue: On Discreteness: Event and Sound in Poetry
Edited by Louis Cabri and Peter Quartermain. Digital Sound Editor: Michael S. Hennessey
On Discreteness: Event and Sound in Poetry
pp. 1-19
You asked about sound and it’s 28 January 2008
pp. 21-23
Subject Headings:
The Difference Sound Makes: Gertrude Stein and the Poetics of Intonation
pp. 25-35
A Williams Sound-Script: Listening to “The Sea-Elephant”
pp. 37-53
Kenneth Rexroth and Radio Reading
pp. 55-66
From Text to Tongue to Tape: Notes on Charles Bernstein’s “1–100”
pp. 67-72
Subject Headings:
The Socio-poetic Soundscape of Geraldine Monk
pp. 73-76
Sounding Eyes: Mina Loy’s Acoustic Subjectivity in “The Song of the Nightingale is Like the Scent of Syringa”
pp. 77-82
Sound or Text: How Do You Heal a “Foreign Anguish”?
pp. 83-90
Subject Headings:
Six Short Talks: Reading in, around, & on (& on) Anne Carson’s “Possessive Used As Drink (Me): a lecture in the form of fifteen minutes”
pp. 91-101
Subject Headings:
Now Not Now: Gertrude Stein Speaks
pp. 103-113
Subject Headings:
Performing Authority: Gysin, Bergvall, and the Critique of Expressivist Pedagogy
pp. 115-126
The Verse Line in Williams
pp. 127-148
Subject Headings:
The Structure and Delivery Style of Milton’s Verse: An Electronic Exercise in Vocal Performance
pp. 149-168
Subject Headings:
The lp Era: Voice-Practice/Voice Document
pp. 169-180
Subject Headings:
This Secret Charm of Numbers: The Clandestine Relationship between Shortwave Number Stations and Twentieth-Century Poetry
pp. 181-194
Re-Tuning: David Antin and the Audio Text
pp. 195-206
Subject Headings:
ESC 33.4 On Discreteness: Event and Sound in Poetry CD
pp. 218-220