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Browse Book and Journal Content on Project MUSE

Volume 33, Issue 1-2, March/June 2007

Table of Contents

Readers’ Forum: Why Do I Have to Read Like That?

Why Do I Have to Read Like That?

pp. 1-3 | DOI: 10.1353/esc.0.0045

Why Do I (Feel That I) Have to Read Like That?: A Graduate Student's Perspective

pp. 4-8 | DOI: 10.1353/esc.0.0043

Reading and the Difference it Makes

pp. 9-12 | DOI: 10.1353/esc.0.0042

Reading Differently, Writing the City

pp. 13-16 | DOI: 10.1353/esc.0.0041

Structure and Serendipity

pp. 17-22 | DOI: 10.1353/esc.0.0040

The Hidden Labour of Reading Pleasure

pp. 23-27 | DOI: 10.1353/esc.0.0034


Instituting Canadian Literature

Adjusting the Scale of Values: The Modern Language Association of Ontario, 1886–1919

pp. 29-51 | DOI: 10.1353/esc.0.0033

Editing Canadian Modernism

pp. 53-84 | DOI: 10.1353/esc.0.0032

Canadian Cultural Policy-making at a Time of Neoliberal Globalization

pp. 85-107 | DOI: 10.1353/esc.0.0031

Gender and Genre

Social Climbing on Annapurna: Gender in High-altitude Mountaineering Narratives

pp. 109-146 | DOI: 10.1353/esc.0.0030

Timing "I": An Investigation of the Autofictional "I" in Gail Scott's Heroine

pp. 147-164 | DOI: 10.1353/esc.0.0051

Women and the Literature of Settlement and Plunder: Toward an Understanding of the Zimbabwean Land Crisis

pp. 165-188 | DOI: 10.1353/esc.0.0050

Ethical Beings/Being Ethical

Ethics, Spectres, and Formalism in Sheila Watson's The Double Hook

pp. 189-208 | DOI: 10.1353/esc.0.0049

The Community of Sentient Beings: J. M. Coetzee's Ecology in Disgrace and Elizabeth Costello

pp. 209-225 | DOI: 10.1353/esc.0.0054

Review Articles

Indie Publishing?: Broadview Press, Gynocritics, and Anne of Green Gables

pp. 227-238 | DOI: 10.1353/esc.0.0053

Futures for the Humanities

pp. 239-252 | DOI: 10.1353/esc.0.0052

Book Reviews

Light in the Dark Room: Photography and Loss (review)

pp. 253-256 | DOI: 10.1353/esc.0.0048

Narrating Scotland: The Imagination of Robert Louis Stevenson (review)

pp. 257-261 | DOI: 10.1353/esc.0.0028

British Aestheticism and the Urban Working Classes, 1870—1900: Beauty for the People (review)

pp. 261-265 | DOI: 10.1353/esc.0.0055

The Muse Strikes Back: Female Narratology in the Novels of Hédi Bouraoui (review)

pp. 265-267 | DOI: 10.1353/esc.0.0029

"Full of all knowledge": George Herbert's Country Parson and Early Modern Social Discourse (review)

pp. 268-272 | DOI: 10.1353/esc.0.0044

When Canadian Literature Moved to New York (review)

pp. 272-276 | DOI: 10.1353/esc.0.0026

Deformity: An Essay (review)

pp. 276-279 | DOI: 10.1353/esc.0.0038

The Child Writer from Austen to Woolf (review)

pp. 279-283 | DOI: 10.1353/esc.0.0047

Margaret Laurence's Epic Imagination (review)

pp. 284-288 | DOI: 10.1353/esc.0.0027

Jane Austen (review)

pp. 288-292 | DOI: 10.1353/esc.0.0035

The Intimate Life of L.M. Montgomery (review)

pp. 293-296 | DOI: 10.1353/esc.0.0037

Children of the Queen's Revels: A Jacobean Theatre Repertory (review)

pp. 296-298 | DOI: 10.1353/esc.0.0039

Foucault and the Government of Disability (review)

pp. 298-304 | DOI: 10.1353/esc.0.0036

The Half-Lives of Pat Lowther (review)

pp. 305-307 | DOI: 10.1353/esc.0.0056

The Cambridge Companion to Byron (review)

pp. 308-310 | DOI: 10.1353/esc.0.0046

Research Areas


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