+ MUSE Alert

In this Issue

Table of Contents

  1. The Very First Lady Chatterley? Mrs. Havelock Ellis’s Seaweed
  2. Jo-Ann Wallace
  3. pp. 123-137
  4. DOI: https://doi.org/10.2487/elt.51.2(2008)0017
  5. restricted access
  1. The Creative Editor: Robert Ross, Oscar Wilde and the Collected Works
  2. Kamran Ahmadgoli, Ian Small
  3. pp. 138-151
  4. DOI: https://doi.org/10.2487/elt.51.2(2008)0018
  5. restricted access
  1. Paul Verlaine and A Platonic Lament: Beardsley’s Portrayal of a Parallel Love Story in Wilde’s Salome
  2. Joan Navarre
  3. pp. 152-163
  4. DOI: https://doi.org/10.2487/elt.51.2(2008)0019
  5. restricted access
  1. Edward Thomas, Swinburne, and Richard Jefferies: “The dead oak tree bough”
  2. Nick Freeman
  3. pp. 164-183
  4. DOI: https://doi.org/10.2487/elt.51.2(2008)0020
  5. restricted access
  1. The Publication and Reception of W. E. Henley’s A Book of Verses: “The Diversity of Contemporary Tongues”
  2. Edward H. Cohen
  3. pp. 184-204
  4. DOI: https://doi.org/10.2487/elt.51.2(2008)0021
  5. restricted access
  1. The Question of T. E. Hulme’s Modernism
  2. Anthony Cuda
  3. pp. 205-209
  4. restricted access
  1. A Biography: Leonard Woolf
  2. Judith Scherer Herz
  3. pp. 209-212
  4. restricted access
  1. Hopkins: The Collected Works, IV
  2. Barbara Charlesworth Gelpi
  3. pp. 212-215
  4. restricted access
  1. Decadence, High Art, & Popular Writing
  2. Stefano Evangelista
  3. pp. 215-219
  4. restricted access
  1. War Poetry: From the Victorian Age to the Present
  2. Stephen E. Tabachnick
  3. pp. 219-222
  4. restricted access
  1. Gissing’s Short Stories
  2. Arlene Young
  3. pp. 222-225
  4. restricted access
  1. Essays on Decadence
  2. Jad Adams
  3. pp. 225-228
  4. restricted access
  1. The Michael Fields
  2. Stefanie Markovits
  3. pp. 228-231
  4. restricted access
  1. James on the Screen
  2. Lisa Honaker
  3. pp. 231-235
  4. restricted access
  1. Literacy & Book Production
  2. Katherine Baxter
  3. pp. 235-238
  4. restricted access
  1. Précis Reviews
  2. Nadine Cooper
  3. pp. 238-240
  4. restricted access