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Table of Contents

  1. First Acquaintance & "Quaint Allusion"
  2. Susan J. Wolfson
  3. pp. 261-288
  4. DOI: https://doi.org/10.1353/elh.2012.0013
  5. restricted access
  1. Circulation, Monuments, and the Politics of Transmission in Sir Walter Scott's Tales of My Landlord
  2. Kyoko Takanashi
  3. pp. 289-314
  4. DOI: https://doi.org/10.1353/elh.2012.0015
  5. restricted access
  1. Public Verse and Property: Marvell's "Horatian Ode" and the Ownership of Politics
  2. Michael Komorowski
  3. pp. 315-340
  4. DOI: https://doi.org/10.1353/elh.2012.0017
  5. restricted access
  1. Frado Taught a Naughty Ram: Animal and Human Natures in Our Nig
  2. Karen L. Kilcup
  3. pp. 341-368
  4. DOI: https://doi.org/10.1353/elh.2012.0019
  5. restricted access
  1. Peddling Authorship in the Age of Jackson
  2. Michael C. Cohen
  3. pp. 369-388
  4. DOI: https://doi.org/10.1353/elh.2012.0010
  5. restricted access
  1. "The Balance of Separateness and Communication": Cosmopolitan Ethics in George Eliot's Daniel Deronda
  2. Thomas Albrecht
  3. pp. 389-416
  4. DOI: https://doi.org/10.1353/elh.2012.0011
  5. restricted access
  1. "An Author in Form": Women Writers, Print Publication, and Elizabeth Montagu's Dialogues of the Dead
  2. Markman Ellis
  3. pp. 417-445
  4. DOI: https://doi.org/10.1353/elh.2012.0012
  5. restricted access
  1. The Passion of Oroonoko: Passive Obedience, The Royal Slave, and Aphra Behn's Baroque Realism
  2. Corrinne Harol
  3. pp. 447-475
  4. DOI: https://doi.org/10.1353/elh.2012.0014
  5. restricted access
  1. Stories Many, Fast and Slow: Great Expectations and the Mid-Victorian Horizon of the Publishable
  2. Rachel Malik
  3. pp. 477-500
  4. DOI: https://doi.org/10.1353/elh.2012.0016
  5. restricted access
  1. Why Novels are Redundant: Sensation Fiction and the Overpopulation of Literature
  2. Emily Steinlight
  3. pp. 501-535
  4. DOI: https://doi.org/10.1353/elh.2012.0018
  5. restricted access