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Table of Contents

  1. Contributors
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/ecf.1995.0041
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Articles

  1. Les Illustres Françaises: Un nouvel art du roman à l'aube du XVIII e siècle
  2. Jacques Cormier
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/ecf.1995.0045
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  1. The Dialectic of Love in Sir Charles Grandison
  2. Wendy Jones
  3. pp. 15-34
  4. DOI: https://doi.org/10.1353/ecf.1995.0049
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  1. Fielding's Amelia and the Aesthetics of Virtue
  2. Alison Conway
  3. pp. 35-50
  4. DOI: https://doi.org/10.1353/ecf.1995.0030
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  1. "Unbecoming Conjunctions": Mourning the Loss of Landscape and Love in Persuasion
  2. Jill Heydt-Stevenson
  3. pp. 51-71
  4. DOI: https://doi.org/10.1353/ecf.1995.0033
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Review Essays

  1. The History of the Novel Writ Large—and New
  2. Jerry C. Beasley
  3. pp. 73-80
  4. DOI: https://doi.org/10.1353/ecf.1995.0036
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  1. Transgressive Youth: Lady Mary, Jane Austen, and the Juvenilia Press
  2. Lois A. Chaber
  3. pp. 81-88
  4. DOI: https://doi.org/10.1353/ecf.1995.0039
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Bibliographical Supplement

  1. Spiro Peterson (1922-1992) and Defoe Studies
  2. Paula R. Backscheider, Hope D. Cotton
  3. pp. 89-94
  4. DOI: https://doi.org/10.1353/ecf.1995.0043
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  1. Bibliography of Defoe Studies in the Far East: China and Taiwan, Japan, and Korea
  2. Spiro Peterson, Sungkyu Cho, Hope Cotton, Minoru Oda, Huang Xian-fang, Sung-Kyoon Kim
  3. pp. 95-142
  4. DOI: https://doi.org/10.1353/ecf.1995.0047
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Reviews

  1. Body and Text in the Eighteenth Century (review)
  2. Marshall Brown
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/ecf.1995.0028
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  1. History, Gender, and Eighteenth-Century Literature (review)
  2. Katherine Quinsey
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/ecf.1995.0032
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  1. Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820 (review)
  2. Patricia Meyer Spacks
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/ecf.1995.0035
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  1. Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women (review)
  2. David C. Hensley
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/ecf.1995.0038
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  1. Vertue Rewarded; or, the Irish Princess. A New Novel (1693) (review)
  2. Ian Campbell Ross
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/ecf.1995.0042
  5. restricted access
  1. Crime and Defoe: A New Kind of Writing (review)
  2. Paul Alkon
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/ecf.1995.0046
  5. restricted access
  1. Swift's Politics: A Study in Disaffection (review)
  2. Stephen E. Soud
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/ecf.1995.0050
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  1. Henry Fielding: Authorship and Authority (review)
  2. Charles A. Knight
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/ecf.1995.0031
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  1. The Appearance of Truth: The Story of Elizabeth Canning and Eighteenth-Century Narrative (review)
  2. Hugh Amory
  3. pp. 158-161
  4. DOI: https://doi.org/10.1353/ecf.1995.0034
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  1. Smollett's Women: A Study in an Eighteenth-Century Masculine Sensibility (review)
  2. Robert Mayer
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/ecf.1995.0037
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  1. Mary Wollstonecraft and the Language of Sensibility (review)
  2. Janice Farrar Thaddeus
  3. pp. 162-164
  4. DOI: https://doi.org/10.1353/ecf.1995.0040
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  1. The Gothic Sublime (review)
  2. David Fairer
  3. pp. 164-166
  4. DOI: https://doi.org/10.1353/ecf.1995.0044
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  1. Geometry in the Boudoir: Configurations of French Erotic Narrative (review)
  2. Louise Barnett
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/ecf.1995.0048
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  1. Voyage et aventures de François Leguat et de ses compagnons en deux îles désertes des Indes orientales (review)
  2. Aubrey Rosenberg
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/ecf.1995.0029
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