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Volume 14, Number 1, October 2001

Table of Contents


Spectacle, Theatre, and Sympathy in Caleb Williams

pp. 1-30 | DOI: 10.1353/ecf.2001.0047

Une nouvelle géographie épistolaire dans quelques romans féminins de l'Émigration

pp. 31-48 | DOI: 10.1353/ecf.2001.0006

Self-Deception and Superiority Complex: Derangement of Hierarchy in Jane Austen's Emma

pp. 49-65 | DOI: 10.1353/ecf.2001.0014

"A Good Memory Is Unpardonable": Self, Love, and the Irrational Irritation of Memory

pp. 67-94 | DOI: 10.1353/ecf.2001.0022

Review Essay

Fortune des Illustres: la traduction anglaise des Illustres Françaises

pp. 95-109 | DOI: 10.1353/ecf.2001.0029


Representations of the Self from the Renaissance to Romanticism (review)

pp. 111-114 | DOI: 10.1353/ecf.2001.0036

The Comic Diderot: A Reading of the Fictions, and: Voicing Desire: Family and Sexuality in Diderot's Narrative, and: Études sur "Le Fils naturel" et les "Entretiens sur le Fils naturel" de Diderot (review)

pp. 114-116 | DOI: 10.1353/ecf.2001.0044

The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture, and: Caught between Worlds: British Captivity Narratives in Fact and Fiction (review)

pp. 117-119 | DOI: 10.1353/ecf.2001.0003

Liaison et liaisons dans les lettres de Diderot à Sophie Volland (review)

pp. 120-121 | DOI: 10.1353/ecf.2001.0011

The Passionate Fictions of Eliza Haywood: Essays on Her Life and Work (review)

pp. 121-124 | DOI: 10.1353/ecf.2001.0019



pp. v-vi | DOI: 10.1353/ecf.2001.0039

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