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Table of Contents

  1. The Hungry Soul: George Cheyne and the Construction of Femininity
  2. Anita Guerrini
  3. pp. 279-291
  4. DOI: https://doi.org/10.1353/ecs.1999.0019
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  1. The Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law
  2. Laura Hinton
  3. pp. 293-308
  4. DOI: https://doi.org/10.1353/ecs.1999.0017
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  1. The Complexion of Desire: Racial Ideology and Mid-Eighteenth-Century British Novels
  2. Roxann Wheeler
  3. pp. 309-332
  4. DOI: https://doi.org/10.1353/ecs.1999.0024
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  1. Rousseau's Dance of Veils: The Confessions and the Imagined Woman Reader
  2. Sarah Herbold
  3. pp. 333-353
  4. DOI: https://doi.org/10.1353/ecs.1999.0020
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  1. Reforming the Female Class: Il Caffe's "Defense of Women"
  2. Rebecca Messbarger
  3. pp. 355-369
  4. DOI: https://doi.org/10.1353/ecs.1999.0021
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  1. Women in Arcadia
  2. Susan M. Dixon
  3. pp. 371-375
  4. DOI: https://doi.org/10.1353/ecs.1999.0016
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  1. Going Public against the Academy in 1784: Mme de Genlis Speaks Out on Gender Bias
  2. Anne L. Schroder
  3. pp. 376-382
  4. DOI: https://doi.org/10.1353/ecs.1999.0023
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  1. Women and the Paris Academy of Sciences
  2. Vesna C. Petrovich
  3. pp. 383-390
  4. DOI: https://doi.org/10.1353/ecs.1999.0022
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  1. Thomas Gainsborough
  2. Paul Williamson, Amal Asfour
  3. pp. 391-393
  4. DOI: https://doi.org/10.1353/ecs.1999.0009
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  1. Ruled passions: re-reading the culture of sensibility
  2. Robert W., Dr Jones
  3. pp. 395-402
  4. DOI: https://doi.org/10.1353/ecs.1999.0018
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  1. Dangerous Intimacies: Toward a Sapphic History of the British Novel
  2. Bonnie Blackwell
  3. pp. 403-405
  4. DOI: https://doi.org/10.1353/ecs.1999.0015
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  1. Health & Healing in Eighteenth-Century Germany
  2. Karl J. Fink
  3. pp. 405-406
  4. DOI: https://doi.org/10.1353/ecs.1999.0014
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  1. Transports: Travel, Pleasure, and Imaginative Geography, 1600-1830, and: Polite Landscapes: Gardens and Society in Eighteenth-Century England
  2. Ann Bermingham
  3. pp. 406-407
  4. DOI: https://doi.org/10.1353/ecs.1999.0011
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  1. Science and the Perception of Nature: British Landscape Art in the Late Eighteenth and Early Nineteenth Centuries
  2. Ann Bermingham
  3. pp. 408-409
  4. DOI: https://doi.org/10.1353/ecs.1999.0012
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  1. The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth Century
  2. Ann Bermingham
  3. pp. 409-410
  4. DOI: https://doi.org/10.1353/ecs.1999.0013
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  1. Books Recently Received
  3. pp. 411-414
  4. DOI: https://doi.org/10.1353/ecs.1999.0010
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