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Table of Contents

  1. Tempus Fugit
  2. Ben George
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/ect.2012.0007
  5. restricted access
  1. Clappers
  2. David Gessner
  3. pp. 7-10
  4. DOI: https://doi.org/10.1353/ect.2012.0013
  5. restricted access
  1. The Electric Man
  2. Johanna Skibsrud
  3. pp. 13-26
  4. DOI: https://doi.org/10.1353/ect.2012.0018
  5. restricted access
  1. Water
  2. Maura Stanton
  3. p. 27
  4. DOI: https://doi.org/10.1353/ect.2012.0023
  5. restricted access
  1. Twinkle Twinkle
  2. Amy Leach
  3. pp. 28-30
  4. DOI: https://doi.org/10.1353/ect.2012.0028
  5. restricted access
  1. The Sycamore on Praise
  2. Katy Didden
  3. p. 31
  4. DOI: https://doi.org/10.1353/ect.2012.0000
  5. restricted access
  1. Black Nature
  2. Robert Hass
  3. pp. 32-45
  4. DOI: https://doi.org/10.1353/ect.2012.0005
  5. restricted access
  1. Three poems
  2. Patricia Smith
  3. pp. 46-48
  4. DOI: https://doi.org/10.1353/ect.2012.0011
  5. restricted access
  1. Something Like the Resurrection
  2. Maggie Shipstead
  3. pp. 49-64
  4. DOI: https://doi.org/10.1353/ect.2012.0016
  5. restricted access
  1. A Nautical Riddle
  2. Michael Collier
  3. p. 65
  4. DOI: https://doi.org/10.1353/ect.2012.0021
  5. restricted access
  1. Micropiggies
  2. William Pierce
  3. pp. 66-78
  4. DOI: https://doi.org/10.1353/ect.2012.0026
  5. restricted access
  1. Three poems
  2. Mary Ruefle
  3. pp. 79-83
  4. DOI: https://doi.org/10.1353/ect.2012.0031
  5. restricted access
  1. The Night Side
  2. Thomas E. Kennedy
  3. pp. 84-97
  4. DOI: https://doi.org/10.1353/ect.2012.0003
  5. restricted access
  1. Photographs and a Conversation
  2. Harry Taylor
  3. pp. 98-108
  4. DOI: https://doi.org/10.1353/ect.2012.0009
  5. restricted access
  1. Gorged
  2. Lee Upton
  3. p. 109
  4. DOI: https://doi.org/10.1353/ect.2012.0014
  5. restricted access
  1. Still at It
  2. Gabrielle Bell
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/ect.2012.0019
  5. restricted access
  1. Two poems
  2. Jared Harel
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/ect.2012.0024
  5. restricted access
  1. Deadpan Truth and Weirdness: Dino Buzzati’s “The Colomber”
  2. Charles Baxter
  3. pp. 115-118
  4. DOI: https://doi.org/10.1353/ect.2012.0029
  5. restricted access
  1. The Colomber
  2. Dino Buzzati
  3. pp. 119-123
  4. DOI: https://doi.org/10.1353/ect.2012.0001
  5. restricted access
  1. American Vacations
  2. Bruce Cohen
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/ect.2012.0006
  5. restricted access
  1. Several Short Sentences About Writing
  2. Verlyn Klinkenborg
  3. pp. 126-133
  4. DOI: https://doi.org/10.1353/ect.2012.0012
  5. restricted access
  1. Driving Home after Diagnosis
  2. Charlotte Matthews
  3. p. 134
  4. DOI: https://doi.org/10.1353/ect.2012.0017
  5. restricted access
  1. The Hole
  2. Peter Orner
  3. pp. 135-139
  4. DOI: https://doi.org/10.1353/ect.2012.0022
  5. restricted access
  1. The Islands
  2. Anna Carson Dewitt
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/ect.2012.0027
  5. restricted access
  1. NeVer ForgeT
  2. Matthew Vollmer
  3. pp. 142-157
  4. DOI: https://doi.org/10.1353/ect.2012.0032
  5. restricted access
  1. Five poems
  2. John Rybicki
  3. pp. 158-169
  4. DOI: https://doi.org/10.1353/ect.2012.0004
  5. restricted access
  1. Esto Perpetua
  2. Brandon R. Schrand
  3. pp. 170-192
  4. DOI: https://doi.org/10.1353/ect.2012.0010
  5. restricted access
  1. So Passes the Glory: A Selection of Letters between Diana Athill and Edward Field
  2. Diana Athill, Edward Field
  3. pp. 193-218
  4. DOI: https://doi.org/10.1353/ect.2012.0015
  5. restricted access
  1. Skin Mags
  2. Emilia Phillips
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/ect.2012.0020
  5. restricted access
  1. Cherokee
  2. Ron Rash
  3. pp. 221-230
  4. DOI: https://doi.org/10.1353/ect.2012.0025
  5. restricted access
  1. Urban Art Land
  2. Kristine Somerville
  3. p. 231
  4. DOI: https://doi.org/10.1353/ect.2012.0030
  5. restricted access
  1. Abundance
  2. Lauren Groff
  3. pp. 232-245
  4. DOI: https://doi.org/10.1353/ect.2012.0002
  5. restricted access
  1. Notes on Contributors
  2. pp. 246-249
  3. DOI: https://doi.org/10.1353/ect.2012.0008
  4. restricted access