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In this Issue

Table of Contents

  1. Editorial
  2. Tess Knighton
  3. p. 1
  4. restricted access
  1. Iconography in the history of the recorder up to 1430--Part 2
  2. Anthony Rowland-Jones
  3. pp. 3-27
  4. restricted access
  1. 'High' clefs in composition and performance
  2. Andrew Johnstone
  3. pp. 29-53
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  1. New light on the polyphonic sequence Ave virgo, virga Jesse
  2. John Dickinson Haines
  3. pp. 55-73
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  1. Handel's borrowings and the disputed Gloria
  2. Gregory Richard Barnett
  3. pp. 75-92
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  1. Don Quixote and Wanda Landowska: bells and Pleyels
  2. Michael Latcham
  3. pp. 95-109
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  1. The mensura of [symbol] in the works of Du Fay
  2. Ruth I. DeFord
  3. pp. 111-136
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  1. The last Elizabethan
  2. John Irving
  3. pp. 139-140
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  1. Ritornello dynamics
  2. Rebecca Kan
  3. pp. 141-143
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  1. Regal Handel
  2. Peter Leech
  3. pp. 143-146
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  1. Pisendel and the Dresden orchestra
  2. Brian Clark
  3. pp. 146-148
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  1. Cataloguing concertos
  2. C. R. F. Maunder
  3. pp. 148-149
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  1. Imperial pleasures
  2. Julian Rushton
  3. pp. 149-151
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  1. Morales in Toledo
  2. Bernadette Nelson
  3. pp. 152-155
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  1. Lute counterpoint from Naples
  2. Tim Crawford
  3. pp. 155-157
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  1. John Ward, 'to satisfie both quickness of heart and hand'
  2. Lucy, viol player Robinson
  3. pp. 157-158
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  1. Medieval miscellany
  2. Ivan Moody
  3. pp. 159-160
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  1. The art of re-creating lute music
  2. Tim Crawford
  3. pp. 160-163
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  1. Interpretive symbiosis on organ
  2. Kimberly Marshall
  3. pp. 163-164
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  1. The Italian harpsichord
  2. Naomi J. Barker
  3. pp. 164-166
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  1. French Baroque: from chambre to chapelle
  2. Graham Sadler
  3. pp. 166-168
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  1. Bach: cantatas and a passion
  2. John Butt
  3. pp. 168-171
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  1. Med-Ren: alive and well
  2. Stephen Rice
  3. pp. 172-173
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  1. Obrecht the versatile
  2. Katelijne Schiltz
  3. pp. 173-174
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  1. Canonical studies
  2. Leofranc Holford-Strevens, Zoe Saunders
  3. pp. 175-178
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  1. Correction
  3. p. 178
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  1. The court suite revisited
  2. Michael Robertson
  3. pp. 179-180
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  1. More on Francesco Scarlatti
  2. Mark Kroll
  3. p. 180
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  1. Cadences in recitative
  2. Christopher D. S. Field
  3. pp. 180-181
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