+ MUSE Alert

In this Issue

Table of Contents

  1. Editorial
  2. Tess Knighton
  3. pp. 369-370
  4. restricted access
  1. Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti
  2. David Dolata
  3. pp. 371-391
  4. restricted access
  1. Point/counterpoint: Vicentino's musical rebuttal to Lusitano
  2. Timothy R. McKinney
  3. pp. 393-411
  4. restricted access
  1. Attributions to Giovanni Rovetta
  2. Jonathan R. J. Drennan
  3. pp. 413-422
  4. restricted access
  1. Musical offerings in the Renaissance
  2. Rob C. Wegman
  3. pp. 425-437
  4. restricted access
  1. Don Juan de Austria and the Venetian music trade
  2. Michael Jacob Levin, Steven David Zohn
  3. pp. 439-446
  4. restricted access
  1. The Hanover orchestral repertory, 1672-1714: significant source discoveries
  2. Erik Albertyn
  3. pp. 449-471
  4. restricted access
  1. Performance practice of recitativo secco in the first half of the 18th century: A contribution to the debate over the interpretation of recitative, particularly in Handel's operas
  2. Dieter Gutknecht
  3. pp. 473-493
  4. restricted access
  1. Treble or soprano? Performing Tallis
  2. Peter Phillips
  3. pp. 495-502
  4. restricted access
  1. The birth of the orchestra
  2. Peter Holman
  3. pp. 503-505
  4. restricted access
  1. The one-to-a-part concerto
  2. Andrew Manze
  3. pp. 506-508
  4. restricted access
  1. A story of 'A'
  2. Andrew Johnstone
  3. pp. 508-509
  4. restricted access
  1. Conservation versus use
  2. Jeremy Montagu
  3. pp. 510-511
  4. restricted access
  1. The south German violin
  2. Tassilo Erhardt
  3. pp. 511-513
  4. restricted access
  1. 'The cradle of music in Ireland'
  2. Rachel Cowgill
  3. pp. 514-515
  4. restricted access
  1. Couperin in context
  2. Graham Sadler
  3. pp. 516-518
  4. restricted access
  1. Concerts in English society
  2. Barra Boydell
  3. pp. 518-520
  4. restricted access
  1. Sammartini revisited
  2. Michael Talbot
  3. pp. 520-522
  4. restricted access
  1. The arcane colours of Fayrfax
  2. John Milsom
  3. pp. 523-524
  4. restricted access
  1. A pastoral and 'the Scottish play'
  2. Mark Humphreys
  3. pp. 524-526
  4. restricted access
  1. Visions of the Middle Ages
  2. Ivan Moody
  3. pp. 527-528
  4. restricted access
  1. Phantasms sweet
  2. Lucy, viol player Robinson
  3. pp. 528-530
  4. restricted access
  1. Harpsichord music from England and Germany
  2. John Kitchen
  3. pp. 530-532
  4. restricted access
  1. The recorder across Europe
  2. Francis Knights
  3. pp. 532-533
  4. restricted access
  1. Baroque voices and violins
  2. Elizabeth Roche
  3. pp. 533-535
  4. restricted access
  1. The artful harpsichord
  2. David Ledbetter
  3. pp. 535-536
  4. restricted access
  1. Vivaldi in madness and mirth
  2. Michael Talbot
  3. pp. 536-538
  4. restricted access
  1. The sweet sound of cultures clashing
  2. Joyce Lindorff
  3. pp. 538-539
  4. restricted access
  1. Seeking early English keyboards
  2. Richard Turbet
  3. pp. 541-543
  4. restricted access
  1. Questions of copyright
  2. Tess Knighton
  3. pp. 543-544
  4. restricted access
  1. Tempering Bach's temperament
  2. David Ponsford, Daniel Jencka, C. R. F. Maunder, Carl Sloan, Mark Lindley, Kenneth Mobbs, Alexander, of Ord Mackenzie, Stuart Isacoff
  3. pp. 545-548
  4. restricted access
  1. More on the clarinet in England
  2. Albert Rice
  3. p. 549
  4. restricted access
  1. The little-known Francesco Scarlatti
  2. Roberto Pagano
  3. pp. 549-550
  4. restricted access
  1. Lassus and the wild beasts
  2. Richard Rastall
  3. p. 550
  4. restricted access
  1. Copyright issues
  2. Lionel Sawkins
  3. pp. 548-549
  4. restricted access