Notes on Contributors
Rent from DeepDyve- Notes on Contributors
Luke Gibbons is Professor of Irish Literary and Cultural Studies at the School of English, Drama, and Media Studies, National University of Ireland, Maynooth. His publications include, Gaelic Gothic: Race, Colonialism, and Irish Culture (Dublin: Arlen House, 2004), Edmund Burke and Ireland: Aesthetics, Politics, and The Colonial Sublime (Cambridge: Cambridge University Press, 2003), The Quiet Man (Cork: Cork University Press, 2002), Transformations in Irish Culture (Cork: Cork University Press in association with Field Day, 1996) and (with Kevin Rocket and John Hill), Cinema and Ireland (London: Routledge, 1988). He is currently preparing Joyce's Ghosts: Ireland, Modernity and Colonial Memory for publication.
Fintan Cullen is Professor of Art History at the University of Nottingham. His essay in this issue of the Dublin James Joyce Journal forms part of his research for a forthcoming volume, provisionally titled Ireland on Show: Art, Union, and Nationhood in the Nineteenth Century. His previous books include a co-authored (with R.F. Foster) exhibition catalogue, Conquering England: Ireland in Victorian Britain (London: National Portrait Gallery, 2005), The Irish Face: Redefining the Irish Portrait (London: National Portrait Gallery, 2004), and Visual Politics: The Representation of Ireland, 1750-1930 (Cork: Cork University Press, 1997).
Austin Briggs retired in 2008 as Tompkins Professor of English at Hamilton College, New York, where he taught for fifty years. The author of The Novels of Harold Frederic (Ithaca: Cornell University Press, 1969), he has published many essays on Joyce in a variety of venues.
Emer Nolan lectures in English at the National University of Ireland, Maynooth. She is the author of James Joyce and Nationalism (Oxford: Oxford University Press, 1995) and Catholic Emancipations: Irish Fiction From Thomas Moore to James Joyce (Syracuse: Syracuse University Press, 2007).
Judith Harrington began her study of Joyce with the Berkeley Tuesday Night Wake Group in 1987. She has published articles on Joyce and Music in the James Joyce Quarterly, the James Joyce Literary Supplement, and elsewhere. Her James Joyce: Suburban Tenor was published by the National Library of [End Page vi] Ireland as No. 16 in its Joyce Studies 2004 monographs series. She frequently attends the Zurich James Joyce workshops and participates in the reading groups at the International James Joyce Symposia and online. She regrets that she cannot play the banjo, especially while singing one of Eugene Stratton's hit songs, 'The Lily of Laguna', at Sierra campfires.
Vivien Igoe is a Dubliner and author of James Joyce's Dublin and Nora Barnacle's Galway (Dublin: Lilliput, 2007); A Literary Guide to Ireland (London: Methuen, 1994); City of Dublin (Hampshire: Pitkin, 1997), and Dublin Burial Grounds and Graveyards (Dublin: Wolfhound, 2001). She is a regular contributor to 'Sunday Miscellany' on RTÉ Radio 1. A former curator of the James Joyce Museum, she was chair of the James Joyce Institute of Ireland from 1980-5. She was European Secretary of the James Joyce Foundation and was involved in the organization of the First and Second International James Joyce symposia held in Dublin in 1967 and 1969. She is currently working on the 'real' people in Ulysses.
Dirk Van Hulle teaches English literature at the University of Antwerp, where he works at the Centre for Manuscript Genetics (www.ua.ac.be/cmg). His research and publications focus on the writing methods of twentieth-century authors. He is the author of Textual Awareness: A Genetic Study of Late Manuscripts by Joyce, Proust, and Mann (Ann Arbor: University of Michigan Press, 2004) and Manuscript Genetics: Joyce's Know-How, Beckett's Nohow (Gainesville: University Press of Florida, 2008). He is co-director of the Beckett Digital Manuscript Project and is currently working with Mark Nixon on Beckett's Library.
Andrew Gibson is Research Professor of Modern Literature and Theory at Royal Holloway, University of London and a former Carole and Gordon Segal Professor of Irish Literature at Northwestern University, Evanston, Chicago (2008). His many publications include Joyce's Revenge: History, Politics and Aesthetics in 'Ulysses' (Oxford: Oxford University Press, 2002), James Joyce: A Critical Life (London: Reaktion Books, 2006) and as co-editor with Len Platt, Joyce, Ireland, Britain (Gainesville: University of Florida Press, 2006). His minimalist anti-biography of Samuel Beckett appeared from Reaktion...
