Abstract

Soon after Barack Obama won a second term with surprising ease, Pulitzer-Prize-winning artist Clay Bennett, depicted a wealthy, white-haired man staring grimly at his television screen while around and behind him four servants, white and black, go about their jobs with big smiles on their faces.

For many Americans on the left, the outcome of the 2012 election brought more relief than satisfaction. They had supported and some had campaigned for Barack Obama and other Democrats because they were horrifi ed by the prospect of a nation ruled and ruined by Mitt Romney and his GOP. But a president whom four years ago they had hoped would begin a new era of far-reaching reform now seemed just another lesser evil, albeit one who had managed to thrash a right-wing coalition whose economic ideology harked back to the glory days of Calvin Coolidge.

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