We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 41, Number 2, Winter 2009

Table of Contents

Editor's Note

Hybridities: Dance, Writing, and the Voice in Transatlantic Perspectives

pp. v-vi

A Dancer Writes:

I Promised Myself I Would Never Let It Leave My Body's Memory

pp. 3-11

Trio A: Genealogy, Documentation, Notation

pp. 12-18

Trio A Canonical

pp. 19-24

Trio A in Europe

pp. 25-27

Articles

"At the still point": T. S. Eliot, Dance, and Modernism

pp. 31-51

Blurring the Boundaries of Genre, Gender, and Geopolitics: Ruth Page and Harald Kreutzberg's Transatlantic Collaboration in the 1930s

pp. 52-75

Kine-Phonesis: The Sonic Dancer in Relay

pp. 76-85

Dialogues

Dialogues: Writing Dance

pp. 89-91

"But How Do I Write about Dance?": Thoughts on Teaching Criticism

pp. 91-95

Extending Critical Voices Between the Lecture Room and the Dance Studio

pp. 95-98

Intellectual Underpinnings

pp. 99-104

Reviews

Sensational Knowledge: Embodying Culture through Japanese Dance, and: Hijikata Tatsumi and Ohno Kazuo (review)

pp. 107-110

Anarchic Dance (review)

pp. 110-113

Fashionable Acts: Opera and Elite Culture in London, 1780-1880 (review)

pp. 113-116

A Game for Dancers: Performing Modernism in the Postwar Years, 1945-1960 (review)

pp. 116-120

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access