We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 2, Number 1, May 2013

Table of Contents

Transcolonial Film Coproductions in the Japanese Empire: Antinomies in the Colonial Archive

Takashi Fujitani and Nayoung Aimee Kwon

Transcolonial Film Coproductions in the Japanese Empire:
Antinomies in the Colonial Archive

Introduction

pp. 1-9 | DOI: 10.1353/ach.2013.0008

Collaboration, Coproduction, and Code-Switching: Colonial Cinema and Postcolonial Archaeology

pp. 10-40 | DOI: 10.1353/ach.2013.0002

One Film, or Many?: The Multiple Texts of the Colonial Korean Film Volunteer

pp. 41-61 | DOI: 10.1353/ach.2013.0000

A Propaganda Film Subverting Ethnic Hierarchy?: Suicide Squad at the Watchtower and Colonial Korea

pp. 62-88 | DOI: 10.1353/ach.2013.0009

The Colonial and Transnational Production of Suicide Squad at the Watchtower and Love and the Vow

pp. 89-115 | DOI: 10.1353/ach.2013.0007

Between Ideology and Spectatorship: The "Ethnic Harmony" of the Manchuria Motion Picture Corporation, 1937-1945

pp. 116-138 | DOI: 10.1353/ach.2013.0005

Negotiating Colonial Korean Cinema in the Japanese Empire: From the Silent Era to the Talkies, 1923-1939

pp. 139-169 | DOI: 10.1353/ach.2013.0006

Review Essays

Knowing Society, Cultivating Citizens, and Making the State in Post-Imperial China

pp. 171-182 | DOI: 10.1353/ach.2013.0004

Governmentality in Late Colonial Korea?

pp. 183-193 | DOI: 10.1353/ach.2013.0003

Mortuary Practices, Buddhism, and Family Relations in Japanese Society

pp. 194-201 | DOI: 10.1353/ach.2013.0001

Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest

pp. 202-210 | DOI: 10.1353/ach.2013.0010

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access