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Volume 52, Number 3-4, Summer/Fall 2010

Table of Contents


pp. 355-357 | DOI: 10.1353/crt.2010.0051

Realism and Utopia in The Wire

pp. 359-372 | DOI: 10.1353/crt.2010.0053

"The Game Is the Game": Tautology and Allegory in The Wire

pp. 373-398 | DOI: 10.1353/crt.2010.0043

"A Man without a Country": The Boundaries of Legibility, Social Capital, and Cosmopolitan Masculinity

pp. 399-411 | DOI: 10.1353/crt.2010.0045

The Last Rites of D'Angelo Barksdale: The Life and Afterlife of Photography in The Wire

pp. 413-439 | DOI: 10.1353/crt.2010.0047

Constrained Frequencies: The Wire and the Limits of Listening

pp. 441-459 | DOI: 10.1353/crt.2010.0049

The Depth of the Hole: Intertextuality and Tom Waits's "Way Down in the Hole"

pp. 461-485 | DOI: 10.1353/crt.2010.0050

Greek Gods in Baltimore: Greek Tragedy and The Wire

pp. 487-507 | DOI: 10.1353/crt.2010.0052

Walking in Someone Else's City: The Wire and the Limits of Empathy

pp. 509-528 | DOI: 10.1353/crt.2010.0042

"Precarious Lunch": Conviviality and Postlapsarian Nostalgia in The Wire's Fourth Season

pp. 529-546 | DOI: 10.1353/crt.2010.0044

Capitalist Realism and Serial Form: The Fifth Season of The Wire

pp. 547-567 | DOI: 10.1353/crt.2010.0046

Index to Volume 52 of Criticism (2010)

pp. 569-571 | DOI: 10.1353/crt.2010.0048

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