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Table of Contents

  1. Thanksgiving
  2. Jason McCall
  3. p. 8
  4. DOI: https://doi.org/10.1353/ccr.2015.0040
  5. restricted access
  1. a pale saturation (in day
  2. Sueyeun Juliette Lee
  3. pp. 9-19
  4. DOI: https://doi.org/10.1353/ccr.2015.0051
  5. restricted access
  1. Cocteau, and: Babylonian Commercial Company Interview, Excerpt
  2. Kate Partridge
  3. pp. 20-22
  4. DOI: https://doi.org/10.1353/ccr.2015.0061
  5. restricted access
  1. Fun Day
  2. Miriam Cohen
  3. pp. 23-36
  4. DOI: https://doi.org/10.1353/ccr.2015.0006
  5. restricted access
  1. victual
  2. Vanessa Couto Johnson
  3. p. 37
  4. DOI: https://doi.org/10.1353/ccr.2015.0016
  5. restricted access
  1. You would have known the arabesque, the wishing horse
  2. Jeffrey Allen
  3. pp. 38-39
  4. DOI: https://doi.org/10.1353/ccr.2015.0026
  5. restricted access
  1. Modern Times
  2. Jeff Whitney
  3. pp. 40-42
  4. DOI: https://doi.org/10.1353/ccr.2015.0036
  5. restricted access
  1. Lynch
  2. Trudy Lewis
  3. pp. 43-63
  4. DOI: https://doi.org/10.1353/ccr.2015.0047
  5. restricted access
  1. G
  2. Roy Bentley
  3. p. 64
  4. DOI: https://doi.org/10.1353/ccr.2015.0057
  5. restricted access
  1. Marzipan at the Holiday Inn
  2. Kelsey Ronan
  3. pp. 65-80
  4. DOI: https://doi.org/10.1353/ccr.2015.0002
  5. restricted access
  1. Little Elegies
  2. Justin Carter
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/ccr.2015.0012
  5. restricted access
  1. Fortune
  2. Aaron Anstett
  3. p. 83
  4. DOI: https://doi.org/10.1353/ccr.2015.0022
  5. restricted access
  1. Still Life: Theory and Practice
  2. Lois Baer Barr
  3. pp. 84-91
  4. DOI: https://doi.org/10.1353/ccr.2015.0032
  5. restricted access
  1. New World
  2. Katherine Maurer
  3. p. 92
  4. DOI: https://doi.org/10.1353/ccr.2015.0043
  5. restricted access
  1. Pacific
  2. Laura Bylenok
  3. p. 93
  4. DOI: https://doi.org/10.1353/ccr.2015.0053
  5. restricted access
  1. from The Book of Hours, and: For My Daughter, and: Academic Freedom
  2. Mark Yakich
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/ccr.2015.0063
  5. restricted access
  1. Genrequeer
  2. pp. 97-98
  3. DOI: https://doi.org/10.1353/ccr.2015.0008
  4. restricted access
  1. a queer specter
  2. Celeste Chan
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/ccr.2015.0028
  5. restricted access
  1. mixtape
  2. Aimee Herman
  3. p. 104
  4. DOI: https://doi.org/10.1353/ccr.2015.0038
  5. restricted access
  1. The Little Girl Will Never Tire of Confession
  2. Cameron Awkward-Rich
  3. p. 105
  4. DOI: https://doi.org/10.1353/ccr.2015.0049
  5. restricted access
  1. self portrait with black box and open architecture
  2. Duriel E. Harris
  3. pp. 106-111
  4. DOI: https://doi.org/10.1353/ccr.2015.0059
  5. restricted access
  1. IDENTIFICATION
  2. Trace Peterson
  3. pp. 112-117
  4. DOI: https://doi.org/10.1353/ccr.2015.0004
  5. restricted access
  1. Migratory Glossitis
  2. Amir Rabiyah
  3. pp. 118-119
  4. DOI: https://doi.org/10.1353/ccr.2015.0014
  5. restricted access
  1. POPEYE ON VACATION IN THAILAND
  2. Jai Arun Ravine
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/ccr.2015.0024
  5. restricted access
  1. The Skirts of John Brown
  2. Michael Mlekoday
  3. pp. 122-126
  4. DOI: https://doi.org/10.1353/ccr.2015.0034
  5. restricted access
  1. A Collection of Thorns
  2. D. Allen
  3. pp. 127-131
  4. DOI: https://doi.org/10.1353/ccr.2015.0045
  5. restricted access
  1. Tell me what killed you
  2. Paul Tran
  3. pp. 132-135
  4. DOI: https://doi.org/10.1353/ccr.2015.0055
  5. restricted access
  1. held down in a body you are no longer
  2. TC Tolbert
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/ccr.2015.0000
  5. restricted access
  1. Pronoun Discomfort: A Situational Analysis
  2. Claire Harlan Orsi
  3. pp. 139-145
  4. DOI: https://doi.org/10.1353/ccr.2015.0010
  5. restricted access
  1. Bottle-neck Fists: Curtain Warming
  2. M. Mack
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/ccr.2015.0020
  5. restricted access
  1. Oh for sake (May 22 9:28 PM)
  2. Samuel Ace
  3. p. 148
  4. DOI: https://doi.org/10.1353/ccr.2015.0030
  5. restricted access
  1. CHILDREN REMAIN CHILDISH MOSTLY
  2. Aaron Apps
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/ccr.2015.0041
  5. restricted access
  1. Excerpt from I Don’t Want to Need You
  2. Megan Milks
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/ccr.2015.0052
  5. restricted access
  1. from WHAT DO YOU WANT TO PLAY?
  2. Grace Shuyi Liew
  3. p. 155
  4. DOI: https://doi.org/10.1353/ccr.2015.0062
  5. restricted access
  1. A Gender
  2. Joy Ladin
  3. p. 156
  4. DOI: https://doi.org/10.1353/ccr.2015.0007
  5. restricted access
  1. Velcro
  2. Calvin Gimpelevich
  3. p. 157
  4. DOI: https://doi.org/10.1353/ccr.2015.0017
  5. restricted access
  1. from (X) Chromosomal
  2. Crisosto Apache
  3. pp. 158-159
  4. DOI: https://doi.org/10.1353/ccr.2015.0027
  5. restricted access
  1. The 16th Letter
  2. Indira Allegra
  3. pp. 160-161
  4. DOI: https://doi.org/10.1353/ccr.2015.0037
  5. restricted access
  1. AFFORDED THE CHANCE, MOTHER FLED WITH FLOWERS (from Ricochet)
  2. Deborah Brandon
  3. pp. 162-164
  4. DOI: https://doi.org/10.1353/ccr.2015.0048
  5. restricted access
  1. from dyke/warrior-prayers: redux
  2. Sharon Bridgforth
  3. pp. 165-166
  4. DOI: https://doi.org/10.1353/ccr.2015.0058
  5. restricted access
  1. To My Brother, in His Heartache
  2. Meg Day
  3. p. 167
  4. DOI: https://doi.org/10.1353/ccr.2015.0003
  5. restricted access
  1. Boy Clit 2, and: Boy Clit 3
  2. Oliver Bendorf
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/ccr.2015.0013
  5. restricted access
  1. Figure #3
  2. Emerson Whitney
  3. p. 170
  4. DOI: https://doi.org/10.1353/ccr.2015.0023
  5. restricted access
  1. Release Form
  2. Edie Fake
  3. p. 171
  4. DOI: https://doi.org/10.1353/ccr.2015.0033
  5. restricted access
  1. Murmurations I, and: Murmurations II, and: Murmurations III, and: Murmurations IV
  2. Britt Ashley
  3. pp. 172-175
  4. DOI: https://doi.org/10.1353/ccr.2015.0044
  5. restricted access
  1. Scout, and: Douse
  2. Izzy Jarvis
  3. pp. 176-177
  4. DOI: https://doi.org/10.1353/ccr.2015.0054
  5. restricted access
  1. SkeletonCity: Birdman Dancing, and: SkeletonCity: Skeleton Buddies
  2. Susan Brown
  3. pp. 178-181
  4. DOI: https://doi.org/10.1353/ccr.2015.0064
  5. restricted access
  1. Thirty (Reprise), and: from Ceremony
  2. Jane Wong
  3. pp. 182-185
  4. DOI: https://doi.org/10.1353/ccr.2015.0009
  5. restricted access
  1. A Saturday, Playing Guns
  2. Dan Anderson
  3. pp. 186-194
  4. DOI: https://doi.org/10.1353/ccr.2015.0019
  5. restricted access
  1. FOR THE ANTIREALIST, and: FOR THE REALIST
  2. M. A. Vizsolyi
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/ccr.2015.0029
  5. restricted access
  1. demeter
  2. Martha McCollough
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/ccr.2015.0039
  5. restricted access
  1. Cul de Sac
  2. Sarah Ghoshal
  3. pp. 199-200
  4. DOI: https://doi.org/10.1353/ccr.2015.0050
  5. restricted access
  1. Mending the Centaur
  2. Billy Joe Stratton
  3. pp. 201-212
  4. DOI: https://doi.org/10.1353/ccr.2015.0060
  5. restricted access
  1. from Even the Trees Yawn
  2. Joshua Young
  3. pp. 213-215
  4. DOI: https://doi.org/10.1353/ccr.2015.0005
  5. restricted access
  1. Cannonball, and: Breaking the Girl, and: Come Out and Play
  2. Christopher DeWeese
  3. pp. 216-218
  4. DOI: https://doi.org/10.1353/ccr.2015.0015
  5. restricted access
  1. Alternate Escape Plan
  2. Steph Kilen
  3. pp. 219-223
  4. DOI: https://doi.org/10.1353/ccr.2015.0025
  5. restricted access
  1. Some Measure of Our Aftermath
  2. Samuel Amadon
  3. p. 224
  4. DOI: https://doi.org/10.1353/ccr.2015.0035
  5. restricted access
  1. Foal Song
  2. Peter LaBerge
  3. pp. 225-226
  4. DOI: https://doi.org/10.1353/ccr.2015.0046
  5. restricted access
  1. absorbent heart, and: witness
  2. Roberto Harrison
  3. pp. 227-230
  4. DOI: https://doi.org/10.1353/ccr.2015.0056
  5. restricted access
  1. Interview with Liz Prince
  2. Caitlin Scarano
  3. pp. 231-235
  4. DOI: https://doi.org/10.1353/ccr.2015.0001
  5. restricted access
  1. Review: The Ape’s Wife and Other Stories by Caitlín R. Kiernan (review)
  2. Lyle Deines
  3. pp. 236-239
  4. DOI: https://doi.org/10.1353/ccr.2015.0011
  5. restricted access
  1. Mea Culpa: cream city review
  2. p. 240
  3. DOI: https://doi.org/10.1353/ccr.2015.0021
  4. restricted access
  1. Clouds
  2. Ihab Hassan
  3. p. 241
  4. DOI: https://doi.org/10.1353/ccr.2015.0031
  5. restricted access
  1. Contributor Biographies
  2. pp. 242-254
  3. DOI: https://doi.org/10.1353/ccr.2015.0042
  4. restricted access