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In this Issue

Table of Contents

  1. From Full Dusk to Full Tusk: Reimagining the "Dusky Maiden" through the Visual Arts
  2. A. Marata Tamaira
  3. pp. 1-35
  4. DOI: https://doi.org/10.1353/cp.0.0087
  5. restricted access
  1. A "Headless" Native Talks Back: Nidoish Naisseline and the Kanak Awakening in 1970s New Caledonia
  2. David Chappell
  3. pp. 37-70
  4. DOI: https://doi.org/10.1353/cp.0.0094
  5. restricted access
  1. Miracle-Workers and Nationhood: Reinhard Bonnke and Benny Hinn in Fiji
  2. Lynda Newland
  3. pp. 74-99
  4. DOI: https://doi.org/10.1353/cp.0.0105
  5. restricted access
  1. Epeli's Quest: Essays in Honor of Epeli Hau'ofa
  2. Terence Wesley-Smith
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/cp.0.0102
  5. restricted access
  1. Muse, Mediator, and Mentor
  2. Joni Madraiwiwi
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/cp.0.0113
  5. restricted access
  1. The Thing About It Is . . .
  2. Teresia Teaiwa
  3. pp. 105-108
  4. DOI: https://doi.org/10.1353/cp.0.0114
  5. restricted access
  1. Conjuring Oceania
  2. Geoffrey White
  3. pp. 108-111
  4. DOI: https://doi.org/10.1353/cp.0.0115
  5. restricted access
  1. The Man from Tiko
  2. Tarcisius Kabutaulaka
  3. pp. 111-114
  4. DOI: https://doi.org/10.1353/cp.0.0106
  5. restricted access
  1. Chief of Oceania
  2. Steven Edmund Winduo
  3. pp. 114-116
  4. DOI: https://doi.org/10.1353/cp.0.0108
  5. restricted access
  1. Remembering Boso Levu
  2. Vijay Naidu
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/cp.0.0110
  5. restricted access
  1. Epeli's Owl
  2. Vilsoni Hereniko
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/cp.0.0112
  5. restricted access
  1. Federated States of Micronesia
  2. John R. Haglelgam
  3. pp. 126-130
  4. DOI: https://doi.org/10.1353/cp.0.0095
  5. restricted access
  1. Guam
  2. Kelly G. Marsh, Tyrone J. Taitano
  3. pp. 130-137
  4. DOI: https://doi.org/10.1353/cp.0.0104
  5. restricted access
  1. Marshall Islands
  2. David W. Kupferman
  3. pp. 137-144
  4. DOI: https://doi.org/10.1353/cp.0.0090
  5. restricted access
  1. Commonwealth of the Northern Mariana Islands
  2. Samuel F. McPhetres
  3. pp. 144-152
  4. DOI: https://doi.org/10.1353/cp.2010.0047
  5. restricted access
  1. Republic of Palau
  2. Donald R. Shuster
  3. pp. 152-161
  4. DOI: https://doi.org/10.1353/cp.2010.0049
  5. restricted access
  1. Cook Islands
  2. Jon Tikivanotau M. Jonassen
  3. pp. 163-168
  4. DOI: https://doi.org/10.1353/cp.2010.0045
  5. restricted access
  1. French Polynesia
  2. Lorenz Gonschor
  3. pp. 168-179
  4. DOI: https://doi.org/10.1353/cp.2010.0046
  5. restricted access
  1. Māori Issues
  2. Margaret Mutu
  3. pp. 179-184
  4. DOI: https://doi.org/10.1353/cp.2010.0048
  5. restricted access
  1. Rapa Nui
  2. Lorenz Gonschor
  3. pp. 184-190
  4. DOI: https://doi.org/10.1353/cp.2010.0050
  5. restricted access
  1. Sāmoa
  2. Iati Iati
  3. pp. 191-202
  4. DOI: https://doi.org/10.1353/cp.2010.0043
  5. restricted access
  1. Jean-Marie Tjibaou, Kanak Witness to the World: An Intellectual Biography (review)
  2. Harold Brookfield
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/cp.0.0096
  5. restricted access
  1. Transpacific Imaginations: History, Literature, Counterpoetics (review)
  2. John Eperjesi
  3. pp. 208-211
  4. DOI: https://doi.org/10.1353/cp.0.0103
  5. restricted access
  1. The Future of Indigenous Museums: Perspectives from the Southwest Pacific (review)
  2. Katherine Higgins
  3. pp. 211-213
  4. DOI: https://doi.org/10.1353/cp.0.0091
  5. restricted access
  1. Fast Talking PI, and: I Can See Fiji: Poetry and Sounds (review)
  2. Ku'ualoha Ho'omanawanui
  3. pp. 213-216
  4. DOI: https://doi.org/10.1353/cp.0.0085
  5. restricted access
  1. Moonlight Leta Volume 1: Musical Transitions (Marshallese String Band Music Today and Yesterday) (review)
  2. David Kammerer
  3. pp. 216-219
  4. DOI: https://doi.org/10.1353/cp.0.0093
  5. restricted access
  1. We Are the Ocean: Selected Works (review)
  2. Eric Waddell
  3. pp. 218-220
  4. DOI: https://doi.org/10.1353/cp.0.0097
  5. restricted access
  1. Red Wave: Space, Process, and Creativity at the Oceania Centre for Arts and Culture (review)
  2. Sean Mallon
  3. pp. 221-223
  4. DOI: https://doi.org/10.1353/cp.0.0089
  5. restricted access
  1. About the Artist: Sue Pearson
  2. pp. vi-228
  3. DOI: https://doi.org/10.1353/cp.0.0092
  4. restricted access
  1. Contributors
  2. pp. 229-232
  3. DOI: https://doi.org/10.1353/cp.0.0088
  4. restricted access