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Table of Contents

  1. The Affective Turn in Contemporary Fiction
  2. Nancy Armstrong
  3. pp. 441-465
  4. DOI: https://doi.org/10.1353/cli.2014.0023
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  1. Hatterr Abroad: G. V. Desani on the Stage of World Literature
  2. Andrew Goldstone
  3. pp. 466-500
  4. DOI: https://doi.org/10.1353/cli.2014.0025
  5. restricted access
  1. Neo-Surrealism’s Forked Tongue: Reflections on the Dramatic Monologue, Politics, and Community in the Recent Poetry of Will Alexander and John Yau
  2. Michael Leong
  3. pp. 501-533
  4. DOI: https://doi.org/10.1353/cli.2014.0027
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  1. “A Need to Mourn Abandonment in Advance” in Nathaniel Mackey’s From a Broken Bottle Traces of Perfume Still Emanate
  2. Stephen Hock
  3. pp. 534-558
  4. DOI: https://doi.org/10.1353/cli.2014.0028
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  1. Against the Post-Apocalyptic: Narrative Closure in Colson Whitehead’s Zone One
  2. Leif Sorensen
  3. pp. 559-592
  4. DOI: https://doi.org/10.1353/cli.2014.0029
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  1. Novel Architectures
  2. Rachel Greenwald Smith
  3. pp. 593-599
  4. DOI: https://doi.org/10.1353/cli.2014.0030
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  1. Misogyny and Melodrama
  2. Sarah Brouillette
  3. pp. 600-609
  4. DOI: https://doi.org/10.1353/cli.2014.0031
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  1. Contributors
  3. p. 610
  4. DOI: https://doi.org/10.1353/cli.2014.0024
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