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Browse Book and Journal Content on Project MUSE

Volume 55, Number 1, Spring 2014

Table of Contents

Against Exemplarity: W. G. Sebald and the Problem of Connection

pp. 1-31 | DOI: 10.1353/cli.2014.0005

The New Criticism and the Nashville Sound: William Faulkner’s The Town and Rock and Roll

pp. 32-57 | DOI: 10.1353/cli.2014.0007

No Homelike Place: The Lesson of History in Kazuo Ishiguro’s An Artist of the Floating World

pp. 58-88 | DOI: 10.1353/cli.2014.0009

Mourning the Modernist Undead: Robert Duncan’s Company and the Felt Silence of the Lost Generation

pp. 89-117 | DOI: 10.1353/cli.2014.0000

Juliana Spahr’s Ecopoetics: Ecologies and Politics of the Refrain

pp. 118-147 | DOI: 10.1353/cli.2014.0002

Men without Work: White Working-Class Masculinity in Deindustrialization Fiction

pp. 148-167 | DOI: 10.1353/cli.2014.0003


The Poetics of Black Aesthetics

pp. 168-181 | DOI: 10.1353/cli.2014.0004

Global Special Delivery

pp. 182-191 | DOI: 10.1353/cli.2014.0006

Our Aesthetic Condition

pp. 192-201 | DOI: 10.1353/cli.2014.0008

Estranged Pain: Anne Carson’s Red Doc>

pp. 202-214 | DOI: 10.1353/cli.2014.0010


pp. 215-216 | DOI: 10.1353/cli.2014.0001

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