We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 50, Number 2, Summer 2009

Table of Contents

An Interview with Rae Armantrout

pp. 219-239 | DOI: 10.1353/cli.0.0065

The Closures of the Open Text: Lyn Hejinian’s “Paradise Found”

pp. 240-272 | DOI: 10.1353/cli.0.0067

Coming into Being: J. M. Coetzee’s Slow Man and the Aesthetic of Hospitality

pp. 273-298 | DOI: 10.1353/cli.0.0058

Gendered Muses and the Representation of Social Space in Robert Duncan’s Poetry

pp. 299-331 | DOI: 10.1353/cli.0.0060

The Art of Tuning: A Politics of Exile in Daniel Mason’s The Piano Tuner and Vikram Seth’s An Equal Music

pp. 332-362 | DOI: 10.1353/cli.0.0062

Scratching the Threshold: Textual Sound and Political Form in Toni Cade Bambara’s The Salt Eaters

pp. 363-396 | DOI: 10.1353/cli.0.0063

Book Reviews

The Politics and Production of Contemporary British Writing

pp. 397-407 | DOI: 10.1353/cli.0.0064

From Materialism to Romanticism: The Philosophical Progression of George Oppen’s Poetry

pp. 408-414 | DOI: 10.1353/cli.0.0066

The Red Power Novel: Revisiting Concepts of Knowledge, Identity, and Experience in American Indian Literature and Studies

pp. 415-423 | DOI: 10.1353/cli.0.0057

Epidemic Stories

pp. 424-435 | DOI: 10.1353/cli.0.0059



pp. 436-437 | DOI: 10.1353/cli.0.0061

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access