Front Cover: The theme ofmapping is illustrated by three figures from the issue’s first article. That article offers an in-depth theoretical analysis of mapping in computer music (reflected in part by the top two figures) and also describes some concrete instantiations (see the bottom figure, for example).

Back Cover: Three figures from the article by Robert Tubb and Simon Dixon. Top left: A line segment is mapped to a continuous path along the edges of a cube, defining a sequence of three-dimensional binary coordinates illustrated by the pattern of black or white squares immediately to the right. Bottom left: Similar sequences of coordinates from the corners of a five-dimensional hypercube. Right: The user interface of the authors’ Sonic Zoom software, which uses the principles behind the left-hand figures to map a two-dimensional control space to a ten-dimensional sonic parameter space.

Computer Music Journal

In this Issue

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A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves
Robert Tubb, Simon Dixon
pp. 23-33
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Mapping Through Listening
Baptiste Caramiaux, Jules Françoise, Norbert Schnell, Frédéric Bevilacqua
pp. 34-48
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The Map and the Flock: Emergence in Mapping with Swarm Algorithms
Jan C. Schacher, Daniel Bisig, Philippe Kocher
pp. 49-63
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Matthew Burtner: Noise Plays Burtner (review)
Ross Feller
pp. 77-79
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Volume 38, Number 2, Summer 2014

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