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Volume 48, Number 3, Fall 2014

Table of Contents

Madonna, Whore: Mary’s Sexuality in the N-Town Plays

pp. 191-219 | DOI: 10.1353/cdr.2014.0016

Antonio’s (Happy) Ending: Queer Closure in All-Male Twelfth Night

pp. 221-240 | DOI: 10.1353/cdr.2014.0018

Tyrants, Tudors, and the Digby Mary Magdalen

pp. 241-259 | DOI: 10.1353/cdr.2014.0020

From Pain, Poetry: Howard Barker’s Blok/Eko and the Poetics of Plethoric Theater

pp. 261-276 | DOI: 10.1353/cdr.2014.0022

The Country Wife, Dance of the Cuckolds

pp. 277-305 | DOI: 10.1353/cdr.2014.0024

Reviews

Five Words: Critical Semantics in the Age of Shakespeare and Cervantes by Roland Greene (review)

pp. 307-309 | DOI: 10.1353/cdr.2014.0013

Performing Masculinity in English University Drama, 1598–1636. Studies in Performance and Early Modern Drama by Christopher Marlow (review)

pp. 309-312 | DOI: 10.1353/cdr.2014.0015

Tom Stoppard: Bucking the Postmodern by Daniel Keith Jernigan (review)

pp. 312-315 | DOI: 10.1353/cdr.2014.0017

Bernard Kops: Fantasist, London Jew, Apocalyptic Humorist by William Baker and Jeanette Roberts Shumaker (review)

pp. 315-318 | DOI: 10.1353/cdr.2014.0019

Modernity, Community, and Place in Brian Friel’s Drama by Richard Rankin Russell (review)

pp. 318-321 | DOI: 10.1353/cdr.2014.0021

The Theater of Terrence McNally: A Critical Study by Peter Wolfe (review)

pp. 321-324 | DOI: 10.1353/cdr.2014.0023

Brief Notices

pp. 327-329 | DOI: 10.1353/cdr.2014.0012

Contributors

pp. 331-332 | DOI: 10.1353/cdr.2014.0014

Research Areas

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