We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 47, Number 4, Winter 2013

Table of Contents

“Wise Enough to Play the Fool”: Robert Armin and Shakespeare’s Sung Songs of Scripted Improvisation

pp. 419-449 | DOI: 10.1353/cdr.2013.0045

After Chekhov: The Three Sisters of Beth Henley, Wendy Wasserstein, Timberlake Wertenbaker, and Blake Morrison

pp. 451-472 | DOI: 10.1353/cdr.2013.0048

“What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows

pp. 473-503 | DOI: 10.1353/cdr.2013.0051

Double Exposures: On the Reciprocity of Influence between Tennessee Williams and Jean Cocteau

pp. 505-527 | DOI: 10.1353/cdr.2013.0054

“I Have Done the State Some Service”: Reading Slavery in Othello through Juan Latino

pp. 529-551 | DOI: 10.1353/cdr.2013.0057

Reviews

Of Bondage: Debt, Property and Personhood in Early Modern England by Amanda Bailey (review)

pp. 553-556 | DOI: 10.1353/cdr.2013.0042

Shakespeare and the Book Trade by Lukas Erne (review)

pp. 557-559 | DOI: 10.1353/cdr.2013.0044

The Sentimental Theater of the French Revolution by Cecilia Feilla (review)

pp. 560-563 | DOI: 10.1353/cdr.2013.0047

Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

pp. 563-565 | DOI: 10.1353/cdr.2013.0050

The Poetics of Piracy: Emulating Spain in English Literature by Barbara Fuchs (review)

pp. 566-568 | DOI: 10.1353/cdr.2013.0053

The Tears of Sovereignty: Perspectives of Power in Renaissance Drama by Philip Lorenz (review)

pp. 569-572 | DOI: 10.1353/cdr.2013.0056

Corpus Christi Plays at York: A Context for Religious Drama by Clifford Davidson (review)

pp. 572-576 | DOI: 10.1353/cdr.2013.0041

The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance by James M. Harding (review)

pp. 576-579 | DOI: 10.1353/cdr.2013.0043

The Modern Art of Influence and the Spectacle of Oscar Wilde by S. I. Salamensky (review)

pp. 579-582 | DOI: 10.1353/cdr.2013.0046

Acting Together: Performance and the Creative Transformation of Conflict. Volume I: Resistance and Reconciliation in Regions of Violence. and Volume II: Building Just and Inclusive Communities ed. by Cynthia E. Cohen, Roberto Gutiérrez Varea, and Polly O. Walker (review)

pp. 582-585 | DOI: 10.1353/cdr.2013.0049

Mortal Thoughts: Religion, Secularity, and Identity in Early Modern Culture by Brian Cummings (review)

pp. 585-588 | DOI: 10.1353/cdr.2013.0052

Brief Notices

pp. 589-595 | DOI: 10.1353/cdr.2013.0055

Contributors

pp. 597-599 | DOI: 10.1353/cdr.2013.0058

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access