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Volume 46, Number 4, Winter 2012

Table of Contents

“The Split-Screen Syndrome”: Structuring (Non)Seeing in Two Plays on Abu Ghraib

pp. 427-450 | DOI: 10.1353/cdr.2012.0035

Brian Friel’s Transformation from Short Fiction Writer to Dramatist

pp. 451-474 | DOI: 10.1353/cdr.2012.0038

Plays and Playcoats: A Courtly Interlude Tradition in Scotland?

pp. 475-496 | DOI: 10.1353/cdr.2012.0041

Staging the Convent as Resistance in The Jew of Malta and Measure for Measure

pp. 497-516 | DOI: 10.1353/cdr.2012.0044

Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor

pp. 517-543 | DOI: 10.1353/cdr.2012.0046

Reviews

The Tragic Paradox (review)

pp. 545-548 | DOI: 10.1353/cdr.2012.0032

Memories of Chekhov: Accounts of the Writer from His Family, Friends, and Contemporaries (review)

pp. 548-551 | DOI: 10.1353/cdr.2012.0034

Puppet: An Essay on Uncanny Life (review)

pp. 551-554 | DOI: 10.1353/cdr.2012.0037

Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced (review)

pp. 554-557 | DOI: 10.1353/cdr.2012.0040

Image Ethics in Shakespeare and Spenser (review)

pp. 557-559 | DOI: 10.1353/cdr.2012.0043

Pioneer Performances: Staging the Frontier (review)

pp. 560-562 | DOI: 10.1353/cdr.2012.0045

Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost (review)

pp. 563-565 | DOI: 10.1353/cdr.2012.0047

Intimacy and Sexuality in the Age of Shakespeare (review)

pp. 565-568 | DOI: 10.1353/cdr.2012.0033

Shaw, Plato, and Euripides: Classical Currents in “Major Barbara.” (review)

pp. 569-571 | DOI: 10.1353/cdr.2012.0036

Brief Notices

pp. 573-577 | DOI: 10.1353/cdr.2012.0039

Contributors

pp. 579-581 | DOI: 10.1353/cdr.2012.0042

Research Areas

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