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Browse Book and Journal Content on Project MUSE

Volume 45, Number 2, Summer 2011

Table of Contents


How to Do Witchcraft Tragedy with Speech Acts

pp. 1-33 | DOI: 10.1353/cdr.2011.0013

A "Birthright into a New World": Representing the Town on Brome's Stage

pp. 35-63 | DOI: 10.1353/cdr.2011.0000

Remaking the Chorus: Charles Mee Jr.'s Orestes 2.0

pp. 65-79 | DOI: 10.1353/cdr.2011.0003

Fear Mongering, Media Intimidation, and Political Machinations: Tracing the Agendas Behind the All God's Chillun Got Wings Controversy

pp. 81-97 | DOI: 10.1353/cdr.2011.0006

Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579

pp. 99-126 | DOI: 10.1353/cdr.2011.0008


The Ethos of Drama: Rhetorical Theory and Dramatic Worth (review)

pp. 127-130 | DOI: 10.1353/cdr.2011.0010

Philosophers and Thespians: Thinking Performance (review)

pp. 131-133 | DOI: 10.1353/cdr.2011.0012

Shakespeare, Sex, and Love (review)

pp. 134-136 | DOI: 10.1353/cdr.2011.0015

Shakespeare and Biography (review)

pp. 137-139 | DOI: 10.1353/cdr.2011.0002

Don Pedro Calderón (review)

pp. 140-142 | DOI: 10.1353/cdr.2011.0005

Staging Spectatorship in the Plays of Philip Massinger (review)

pp. 142-145 | DOI: 10.1353/cdr.2011.0007

Shakespeare's Opposites: The Admiral's Company, 1594–1625 (review)

pp. 145-147 | DOI: 10.1353/cdr.2011.0009

Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (review)

pp. 148-151 | DOI: 10.1353/cdr.2011.0011

Euripides: Suppliant Women (review)

pp. 151-154 | DOI: 10.1353/cdr.2011.0014

Brief Notices

pp. 155-160 | DOI: 10.1353/cdr.2011.0001


pp. 161-163 | DOI: 10.1353/cdr.2011.0004

Research Areas


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