We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 44, Number 2, Summer 2010

Table of Contents


Pericles, Paul, and Protestantism

pp. 101-129 | DOI: 10.1353/cdr.0.0103

Striking a Pose: Performance Cues in Four French Hagiographic Mystery Plays

pp. 131-154 | DOI: 10.1353/cdr.0.0106

The Spirit of the Chorus in D'Annunzio's La città morta

pp. 155-178 | DOI: 10.1353/cdr.0.0108

"Hilda, Harnessed to a Purpose": Elizabeth Robins, Ibsen, and the Vote

pp. 179-200 | DOI: 10.1353/cdr.0.0110

Tragedy After Darwin: Timberlake Wertenbaker Remakes "Modern" Tragedy

pp. 201-227 | DOI: 10.1353/cdr.0.0098


Performance in Place of War (review)

pp. 229-231 | DOI: 10.1353/cdr.0.0100

Euripides: Trojan Women (review)

pp. 231-234 | DOI: 10.1353/cdr.0.0102

Two Moral Interludes: The Pride of Life and Wisdom (review)

pp. 234-236 | DOI: 10.1353/cdr.0.0105

Tragic Conditions in Shakespeare: Disinheriting the Globe (review)

pp. 237-239 | DOI: 10.1353/cdr.0.0107

The Cambridge Introduction to Comedy (review)

pp. 239-242 | DOI: 10.1353/cdr.0.0109

Aristophanes: An Introduction (review)

pp. 242-245 | DOI: 10.1353/cdr.0.0097

Shakespeare on Silent Film: An Excellent Dumb Discourse (review)

pp. 245-248 | DOI: 10.1353/cdr.0.0099

Euripides Our Contemporary (review)

pp. 249-252 | DOI: 10.1353/cdr.0.0101



pp. 253-254 | DOI: 10.1353/cdr.0.0104

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access