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Table of Contents

  1. Countering Censorship: Edgar Dale and the Film Appreciation Movement
  2. John Nichols
  3. pp. 3-22
  4. DOI: https://doi.org/10.1353/cj.2007.0003
  5. restricted access
  1. Disturbing the Peace: Lost Boundaries, Pinky, and Censorship in Atlanta, Georgia, 1949-1952
  2. Margaret T. McGehee
  3. pp. 23-51
  4. DOI: https://doi.org/10.1353/cj.2007.0002
  5. restricted access
  1. Cinemagoing in Portsmouth during the 1930s
  2. John Sedgwick
  3. pp. 52-84
  4. DOI: https://doi.org/10.1353/cj.2007.0005
  5. restricted access
  1. "The most explosive object to hit Britain since the V2!": The British Films of Hardy Kruger and Anglo-German Relations during the 1950s
  2. Melanie Williams
  3. pp. 85-107
  4. DOI: https://doi.org/10.1353/cj.2007.0009
  5. restricted access
  1. Bus 174 and the Living Present
  2. Amy Villarejo
  3. pp. 113-118
  4. DOI: https://doi.org/10.1353/cj.2007.0006
  5. restricted access
  1. Cinema Solidarity: The Documentary Practice of Kim Longinotto
  2. Patricia White
  3. pp. 120-128
  4. DOI: https://doi.org/10.1353/cj.2007.0008
  5. restricted access
  1. Rethinking Documentary in the Digital Age
  2. Faye D. Ginsburg
  3. pp. 128-133
  4. DOI: https://doi.org/10.1353/cj.2007.0001
  5. restricted access
  1. DV: Individual Filmmaking
  2. Wenguang Wu, Cathryn Clayton
  3. pp. 136-140
  4. DOI: https://doi.org/10.1353/cj.2007.0007
  5. restricted access
  1. Documentary Disciplines: An Introduction
  2. B. Ruby Rich
  3. pp. 108-115
  4. DOI: https://doi.org/10.1353/cj.2007.0004
  5. restricted access
  1. Wu Wenguang: An Introduction
  2. Chris Berry
  3. pp. 133-136
  4. DOI: https://doi.org/10.1353/cj.2007.0000
  5. restricted access