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In this Issue

Table of Contents

  1. "New Films in Story Form": Movie Story Magazines and Spectatorship
  2. Adrienne L. McLean
  3. pp. 3-26
  4. DOI: https://doi.org/10.1353/cj.2003.0010
  5. restricted access
  1. Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes
  2. Todd McGowan
  3. pp. 27-47
  4. DOI: https://doi.org/10.1353/cj.2003.0009
  5. restricted access
  1. "To Hear and See the Matter": Communicating Technology in Michael Almereyda's Hamlet (2000)
  2. Mark Thornton Burnett
  3. pp. 48-69
  4. DOI: https://doi.org/10.1353/cj.2003.0007
  5. restricted access
  1. Eroticism in Itami's The Funeral and Tampopo : Juxtaposition and Symbolism
  2. Zvika Serper
  3. pp. 70-95
  4. DOI: https://doi.org/10.1353/cj.2003.0012
  5. restricted access
  1. Demystification and Webtopia in the Films of Nelly Kaplan
  2. Lenuta Giukin
  3. pp. 96-113
  4. DOI: https://doi.org/10.1353/cj.2003.0008
  5. restricted access
  1. Home Again: Revisiting the New German Cinema in Edgar Reitz's Die Zweite Heimat (1993)
  2. Johannes von Moltke
  3. pp. 114-143
  4. DOI: https://doi.org/10.1353/cj.2003.0011
  5. restricted access