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Browse Book and Journal Content on Project MUSE

Volume 53, Number 4, Summer 2014

Table of Contents

Looking for Satellites

pp. 1-2 | DOI: 10.1353/cj.2014.0053

Sony and Local-Language Productions: Conglomerate Hollywood’s Strategy of Flexible Localization for the Global Film Market

pp. 3-27 | DOI: 10.1353/cj.2014.0036

A Cinema of Revolt: Black Wave Revolution and Dušan Makavejev’s Politics of Disgust

pp. 28-52 | DOI: 10.1353/cj.2014.0039

Life, Love, and Programming: The Culture and Politics of WALL-E and Pixar Computer Animation

pp. 53-75 | DOI: 10.1353/cj.2014.0042

In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema

pp. 76-97 | DOI: 10.1353/cj.2014.0045

Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club

pp. 98-120 | DOI: 10.1353/cj.2014.0048

In Focus: African American Caucus

Introduction: When and Where We Enter

pp. 121-127 | DOI: 10.1353/cj.2014.0034

Black Film, New Media Industries, and BAMMs (Black American Media Moguls) in the Digital Media Ecology

pp. 128-133 | DOI: 10.1353/cj.2014.0038

“Who’s ‘We,’ White Man?”: Scholarship, Teaching, and Identity Politics in African American Media Studies

pp. 134-140 | DOI: 10.1353/cj.2014.0041

No Getting around the Black

pp. 140-146 | DOI: 10.1353/cj.2014.0044

Whose “Black Film” Is This?: The Pragmatics and Pathos of Black Film Scholarship

pp. 146-150 | DOI: 10.1353/cj.2014.0047

Black Women On-Screen as Future Texts: A New Look at Black Pop Culture Representations

pp. 150-157 | DOI: 10.1353/cj.2014.0050

Keeping the Black in Media Production: One L.A. Rebellion Filmmaker’s Notes

pp. 157-161 | DOI: 10.1353/cj.2014.0054


pp. 162-163 | DOI: 10.1353/cj.2014.0037

Book Reviews

Watching While Black: Centering the Television of Black Audiences ed. by Beretta E. Smith-Shomade (review)

pp. 164-168 | DOI: 10.1353/cj.2014.0040

Black Television Travels: African American Media around the Globe by Timothy Havens (review)

pp. 168-173 | DOI: 10.1353/cj.2014.0043

Looking for Leroy: Illegible Black Masculinities by Mark Anthony Neal (review)

pp. 173-177 | DOI: 10.1353/cj.2014.0046

Presenting Oprah Winfrey, Her Films, and African American Literature ed. by Tara Green (review)

pp. 178-182 | DOI: 10.1353/cj.2014.0049

Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman (review)

pp. 183-187 | DOI: 10.1353/cj.2014.0052


p. 188 | DOI: 10.1353/cj.2014.0035


p. 198 | DOI: 10.1353/cj.2014.0051

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