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In this Issue

Table of Contents

  1. Depth Readings: Ken Jacobs’s Digital, Stereographic Films
  2. Brooke Belisle
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/cj.2014.0010
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  1. Stardom, Sentimental Education, and the Shaping of Global Citizens
  2. Julie Wilson
  3. pp. 27-49
  4. DOI: https://doi.org/10.1353/cj.2014.0013
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  1. Exhausted Landscapes: Reframing the Rural in Recent Argentine and Brazilian Films
  2. Jens Andermann
  3. pp. 50-70
  4. DOI: https://doi.org/10.1353/cj.2014.0016
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  1. Cinema and Suicide: Necromanticism, Dead-already-ness, and the Logic of the Vanishing Point
  2. Michele Aaron
  3. pp. 71-92
  4. DOI: https://doi.org/10.1353/cj.2014.0019
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  1. Histrionic Gestures and Historical Representation: Masina’s Cabiria, Bazin’s Chaplin, and Fellini’s Neorealism
  2. Karl Schoonover
  3. pp. 93-116
  4. DOI: https://doi.org/10.1353/cj.2014.0002
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  1. The Sissy’s Courage: In Memoriam Alexander Doty
  2. Corey K. Creekmur
  3. pp. 122-126
  4. DOI: https://doi.org/10.1353/cj.2014.0008
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  1. Six Crises
  2. Matthew Hays, Thomas Waugh
  3. pp. 126-132
  4. DOI: https://doi.org/10.1353/cj.2014.0012
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  1. Queer Television Studies: Currents, Flows, and (Main)streams
  2. Lynne Joyrich
  3. pp. 133-139
  4. DOI: https://doi.org/10.1353/cj.2014.0015
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  1. Queer Recalibration
  2. Quinn Miller
  3. pp. 140-144
  4. DOI: https://doi.org/10.1353/cj.2014.0018
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  1. Queer Asian Cinema and Media Studies: From Hybridity to Critical Regionality
  2. Audrey Yue
  3. pp. 145-151
  4. DOI: https://doi.org/10.1353/cj.2014.0001
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  1. Queer OS
  2. Kara Keeling
  3. pp. 152-157
  4. DOI: https://doi.org/10.1353/cj.2014.0004
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  1. New Queer Cinema: The Director’s Cut by B. Ruby Rich (review)
  2. Chris Dumas
  3. pp. 160-164
  4. DOI: https://doi.org/10.1353/cj.2014.0011
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  1. The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema by Nick Davis (review)
  2. Scott C. Richmond
  3. pp. 164-169
  4. DOI: https://doi.org/10.1353/cj.2014.0014
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  1. LGBT Transnational Identity and the Media ed. by Christopher Pullen (review)
  2. Margaret Rhee
  3. pp. 169-174
  4. DOI: https://doi.org/10.1353/cj.2014.0017
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  1. Love and Money: Queers, Class, and Cultural Production by Lisa Henderson (review)
  2. Melanie E. S. Kohnen
  3. pp. 174-178
  4. DOI: https://doi.org/10.1353/cj.2014.0000
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  1. The B Word: Bisexuality in Contemporary Film and Television by Maria San Filippo (review)
  2. Timothy Shary
  3. pp. 179-183
  4. DOI: https://doi.org/10.1353/cj.2014.0003
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  1. Forthcoming
  3. p. 198
  4. DOI: https://doi.org/10.1353/cj.2014.0009
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  1. Introduction
  2. Patty Ahn, Julia Himberg, Damon R. Young
  3. pp. 117-121
  4. DOI: https://doi.org/10.1353/cj.2014.0005
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  1. Contributors
  3. pp. 158-159
  4. DOI: https://doi.org/10.1353/cj.2014.0007
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  1. Contributors
  3. p. 184
  4. DOI: https://doi.org/10.1353/cj.2014.0006
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