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Browse Book and Journal Content on Project MUSE

Volume 52, Number 4, Summer 2013

Table of Contents


Introducing the Band

pp. 1-2 | DOI: 10.1353/cj.2013.0049

The Unheard Voice in the Sound Film

pp. 3-24 | DOI: 10.1353/cj.2013.0031

The Maison and Its Minor: Lumière(s), Film History, and the Early Archive

pp. 25-48 | DOI: 10.1353/cj.2013.0035

Absolute Advertising: Walter Ruttmann and the Weimar Advertising Film

pp. 49-73 | DOI: 10.1353/cj.2013.0038

Landscape, Vitality, and Desire: Cross-Dressed Frontier Girls in Transitional-Era American Cinema

pp. 74-98 | DOI: 10.1353/cj.2013.0041

Dying to Love: Gay Identity, Suicide, and Aesthetics in A Single Man

pp. 99-120 | DOI: 10.1353/cj.2013.0044

In Focus: New Voices


pp. 121-122 | DOI: 10.1353/cj.2013.0047

Identity Crisis

pp. 123-128 | DOI: 10.1353/cj.2013.0051

Researching Online Fandom

pp. 129-134 | DOI: 10.1353/cj.2013.0033

Transitional Eras

pp. 134-140 | DOI: 10.1353/cj.2013.0037

Lassoing the Unicorn

pp. 141-146 | DOI: 10.1353/cj.2013.0040

New Specificities

pp. 147-154 | DOI: 10.1353/cj.2013.0043

Beyond Bollywood?

pp. 155-160 | DOI: 10.1353/cj.2013.0046


p. 161 | DOI: 10.1353/cj.2013.0050

Book Reviews: First Monographs

Book Reviews: First Monographs

p. 162 | DOI: 10.1353/cj.2013.0032

Censorship and Sexuality in Bombay Cinema by Monika Mehta (review)

pp. 162-167 | DOI: 10.1353/cj.2013.0036

Transmedia Television: Audiences, New Media, and Daily Life by Elizabeth Evans (review)

pp. 167-171 | DOI: 10.1353/cj.2013.0039

Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File-Sharing by Caetlin Benson-Allott (review)

pp. 171-175 | DOI: 10.1353/cj.2013.0042

American Film Cycles: Reframing Genres, Screening Social Problems, and Defining Subcultures by Amanda Ann Klein (review)

pp. 175-178 | DOI: 10.1353/cj.2013.0045

The Films of Elías Querejeta: A Producer of Landscapes by Tom Whittaker (review)

pp. 179-181 | DOI: 10.1353/cj.2013.0048


p. 182 | DOI: 10.1353/cj.2013.0052


p. 190 | DOI: 10.1353/cj.2013.0034

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