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Browse Book and Journal Content on Project MUSE

Volume 52, Number 2, Winter 2013

Table of Contents

From: Cinema Journal

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ACCESS DENIED: Godard Palestine Representation

pp. 1-22 | DOI: 10.1353/cj.2013.0003

Mental Landscapes: Bazin, Deleuze, and Neorealism (Then and Now)

pp. 23-45 | DOI: 10.1353/cj.2013.0005

"Hard to Handle": Camp Criticism, Trash-Film Reception, and the Transgressive Pleasures of Myra Breckinridge

pp. 46-70 | DOI: 10.1353/cj.2013.0007

Persistently Displaced: Situated Knowledges and Interrelated Histories in The Spook Who Sat by the Door

pp. 71-92 | DOI: 10.1353/cj.2013.0009

"Rotten to the Core": Exposing America's Energy-Media Complex in The China Syndrome

pp. 93-113 | DOI: 10.1353/cj.2013.0011

In Focus: Scholarly Publishing


pp. 114-116 | DOI: 10.1353/cj.2013.0004

We're Definitely Not in Kansas Anymore—But Are We in Oz?

pp. 116-122 | DOI: 10.1353/cj.2013.0002

"Midnight in Princeton": Publishing in 3-D

pp. 122-126 | DOI: 10.1353/cj.2013.0006

Fair Use and Its Users

pp. 127-131 | DOI: 10.1353/cj.2013.0001

The Future of the Book as a Media Project

pp. 131-137 | DOI: 10.1353/cj.2013.0008


p. 137 | DOI: 10.1353/cj.2013.0012

Surveying Recent Scholarship on Fair Use: A Conversation

pp. 138-149 | DOI: 10.1353/cj.2013.0010


p. 150 | DOI: 10.1353/cj.2013.0013


p. 166 | DOI: 10.1353/cj.2013.0000

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