We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 50, Number 3, Spring 2011

Table of Contents

The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition

pp. 1-25 | DOI: 10.1353/cj.2011.0025

A Certain Explicitness: Objectivity, History, and the Documentary Self

pp. 26-44 | DOI: 10.1353/cj.2011.0028

Localized Globalization and a Monster National: The Host and the South Korean Film Industry

pp. 45-61 | DOI: 10.1353/cj.2011.0031

Out of the Screen and into the Theater: 3-D Film as Demo

pp. 62-78 | DOI: 10.1353/cj.2011.0034

"Henri Bergson Talks to Us About Cinema," by Michel Georges-Michel from Le Journal, February 20, 1914

pp. 79-82 | DOI: 10.1353/cj.2011.0036

Mini-Dossier: Teaching Our Research . . . and Researching Our Teaching


pp. 83-84 | DOI: 10.1353/cj.2011.0039

Researching Your Teaching: A Mini-Manifesto

pp. 84-86 | DOI: 10.1353/cj.2011.0041

My Students and Betty White: American Television History in the Classroom

pp. 86-88 | DOI: 10.1353/cj.2011.0042

Teaching Institutional Analysis to Fourth-Year Cinema and Media Studies Majors

pp. 89-91 | DOI: 10.1353/cj.2011.0043

Classroom Encounters: Dislocation, Globalization, and Cultural Knowledge

pp. 91-92 | DOI: 10.1353/cj.2011.0044

Introducing Film Studies

pp. 93-95 | DOI: 10.1353/cj.2011.0037


pp. 95-96 | DOI: 10.1353/cj.2011.0038

Cinema Ritrovato

Cinema Ritrovato: Bologna, Italy, June 26-July 3, 2010

pp. 97-101 | DOI: 10.1353/cj.2011.0023

Women and the Silent Screen VI: Bologna, Italy, June 24-26, 2010

pp. 102-105 | DOI: 10.1353/cj.2011.0026

In Focus: Comics Studies Fifty Years After Film Studies


pp. 106-110 | DOI: 10.1353/cj.2011.0022

It Ain't Easy Studying Comics

pp. 110-112 | DOI: 10.1353/cj.2011.0024

Why Comics Studies?

pp. 113-117 | DOI: 10.1353/cj.2011.0027

Why I Hate Superhero Movies

pp. 118-122 | DOI: 10.1353/cj.2011.0030

What's in a Name?: The Academic Study of Comics and the "Graphic Novel"

pp. 123-126 | DOI: 10.1353/cj.2011.0033

Digital Comics, Circulation, and the Importance of Being Eric Sluis

pp. 127-134 | DOI: 10.1353/cj.2011.0035


p. 134 | DOI: 10.1353/cj.2011.0020

Surveying the World of Contemporary Comics Scholarship: A Conversation

pp. 135-147 | DOI: 10.1353/cj.2011.0032


p. 147 | DOI: 10.1353/cj.2011.0040

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access