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Browse Book and Journal Content on Project MUSE

50, Number 1, Fall 2010

Table of Contents

"Making People Think Is What It's All About": An Interview with Mike Leigh

pp. 1-18

Race, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-1923

pp. 19-38

Inside Inside Man: Spike Lee and Post-9/11 Entertainment

pp. 39-58

"I Wanted You to Be Present": Guilt and the History of Violence in Michael Haneke's Caché

pp. 59-80

Cinema 3.0: The Interactive-Image

pp. 81-98

June Mathis's Valentino Scripts: Images of Male "Becoming" After the Great War

pp. 99-120

For Robin Wood, 1931-2009

pp. 121-125

Festival Report

Sundance Film Festival: Missing Fathers and Women Without Men January 21-31, 2010, Park City, Utah

pp. 126-130

In Focus: Non-Western Historiography A Polemic


pp. 131-135

In the Centrifuge of History

pp. 135-140

Film Historiography as Theory of the Film Subject: A Case Study

pp. 141-146

Going South: On Documentary as a Form of Cognitive Geography

pp. 147-154

Film and Digital Video as Testimony of Chinese Modernity: Trauma, History, and Writing

pp. 154-162

Writing on Film History, Far from the Canon

pp. 163-165



p. 166

Book Reviews: Non-Western Historiography

Palestinian Cinema: Landscape, Trauma, and Memory (review)

pp. 167-169

Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria (review)

pp. 170-172

Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV (review)

pp. 173-175

Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency (review)

pp. 176-178

Turkish Cinema: Identity, Distance and Belonging (review)

pp. 179-181



p. 181


p. iv

Research Areas


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