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Volume 75, Number 3, November 2013

Table of Contents

Proceedings 2013

Editor’s Introduction: Thoughts about the CEA Conference in Savannah: April 4–6, 2013

pp. 189-190 | DOI: 10.1353/cea.2013.0031

Keynote Addresses

Forbidden Water: A Thought on the Nature of Poet

pp. 191-200 | DOI: 10.1353/cea.2013.0029

The Actor’s Nature in Mise-en-scène: Chekhovian Kinesthesia and Cinematic Performance

pp. 201-211 | DOI: 10.1353/cea.2013.0030

Award Winning Papers

James R. (Dick) Bennett Award for Literature and Peace

Sustaining Refusal and Imagining New Societies: The Scarlet Letter, “Bartleby,” and the Production of “Somewhere Else”

pp. 212-223 | DOI: 10.1353/cea.2013.0026

Karen Lentz Madison Scholar Gypsy Prize

“Neither a Servant nor a Family Member”: Recognizing the Unsustainable Nature of Stratification in Our Profession

pp. 224-234 | DOI: 10.1353/cea.2013.0023

Outstanding Paper Presented by a Graduate Student

Removing the Masks of Lady Liberty: The Grotesque in the Literatures of the “Defeated” Americas

pp. 235-242 | DOI: 10.1353/cea.2013.0027

Best in Section

The Nature of Compassionate Orientalism in Elizabeth Gaskell’s Cranford

pp. 243-249 | DOI: 10.1353/cea.2013.0021

Revising the Pastoral, Revising the I/Eye: The Pastoral Speaker in Louise Glück’s A Village Life

pp. 250-257 | DOI: 10.1353/cea.2013.0028

Nature, Phosphate, and Harry Crews’s Naked in Garden Hills

pp. 258-269 | DOI: 10.1353/cea.2013.0035

The Nature of the Life of the Artist in Willa Cather’s The Song of the Lark

pp. 270-277 | DOI: 10.1353/cea.2013.0025

“‘Wisdom Cries the Dawn Deacon’: Thomas Merton and ‘The Ox Mountain Parable’”

pp. 278-284 | DOI: 10.1353/cea.2013.0033

Writing the Nation and the Impossibility of Form: Reading the Nature of Genre in Ralph Ellison’s Unfinished Novel

pp. 285-292 | DOI: 10.1353/cea.2013.0022

First-Year English: Welcoming Different Learners to the Table

pp. 293-302 | DOI: 10.1353/cea.2013.0024

Fat Words, Fat Souls: Momaday, Hemingway, and the Nature of Truth

pp. 303-309 | DOI: 10.1353/cea.2013.0020

The Topography of Gay Identity: Alan Hollinghurst’s The Line of Beauty

pp. 310-319 | DOI: 10.1353/cea.2013.0034


pp. 320-323 | DOI: 10.1353/cea.2013.0032

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