-
From Autobiography of My Alter Ego
- Callaloo
- Johns Hopkins University Press
- Volume 28, Number 3, Summer 2005
- pp. 478-486
- 10.1353/cal.2005.0107
- Article
- Additional Information
- Purchase/rental options available:
Callaloo 28.3 (2005) 478-486
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from Autobiography of My Alter Ego
Yusef Komunyakaa
Summers when Mother & I visited
Tulsa, Grandpa Augustus
would say, Boy, you
were born one hundred steps
ahead of many. You
inherited the benefit of a doubt.
That's your birthright.
A man may have a million bucks
in his pig-skin billfold,
but you're still ten steps ahead.
I'd say, Do Mama
& Granny have the benefit,
too? He'd grin & say,
Hell, yeah! But, son,
you're already miles ahead.
Then we'd each take a spoonful
of our home-made peach ice cream.
Granny would appear big
as an Oklahoma sunset in the doorway
with her hands on her hips,
& say, Gus, please don't
teach that boy your craziness.
A new day is around
the corner. I could see my mother
getting smaller. My father
was somewhere on his touring bus
outside Orlando or skirting
Las Vegas, humming a new song
under his breath as they rounded
a curve. Sometimes
she cried herself to sleep
or drank small bottles of rum, [End Page 478]
& then we'd chew Juicy Fruit
till I could see the man
in the moon sitting on the windowsill.
Grandpa would whisper,
I don't care what your Granny says.
The benefit of a half doubt
is worth more than gold in the bank,
more than rubies & diamonds
stolen out of the eye sockets
of some Egyptian sun god
hidden in a cashbox
somewhere in the Florida Keys.
My Daddy, bless him, body
& soul, was a cover artist
back in the early '50's. So,
I grew up with a white face
mouthing black voices, with Mister Bones
talking black & making love
to my mother in a midnight room.
He was debonair in powder-blue
suits & paisley ascots, in patent leather
shoes that moved the sky
as he walked across the grass.
When he wasn't on the road
or here at The Chimera Club
like a hawk at the cash drawer,
he lived in a room of mirrors,
his chrome turntables
spinning up the bottom of a well
as he tried to capture
Nat Cole & Mister B.
The voice was always his
when he spoke, but I heard
the yardman's "Amazing Grace"
those nights & days he sang. [End Page 479]
I hitchhiked a year
with Bullet, my impish
gray mutt. She was the only one
who didn't come to me
as a stranger, wagging her tail
as if I'd gone around the block
for an hour. I left my mother
waving in the doorway, my father
drunk in the den. With guitar
& rucksack, we slept in bindweed
& kudzu, apple orchards & ball
fields, beneath trestles
& in voluptuous, borrowed beds
in one-horse towns, flophouses
& parks in big cities,
wild songs & flowers
in my wild hair. I thumbed
the pages of dog-eared
Articles of War, a ghost
of Nam still in the clothes
I wore. I was thankful
for the Big Dipper & the night
owl in the oaks, thankful
Bullet hadn't growled & barked
that morning, as she'd done
so many times before
when I brought home
the slow perfume of women
on my clothes & hands. [End Page 480]
Sometimes I feel broken. My arms
a boy's, daydreaming
baseball & horseshoes. My legs
with weights tied to them.
One part of me feels unlived,
& another feels almost used up,
licked clean by too many desires
good for one man. Sometimes
it seems I've been everywhere
Adam's Bridge, Les
Eyzies, Nicobar, Swan, Zadar,
& then again
sometimes it feels as if I haven't
been broken in yet,
depending on how daybreak
falls into a bedroom window.
I've bartended here
at The Chimera Club
for over twelve years,
but I've also worked
as a tool-&-die man in Detroit,
a dogcatcher in Manitou,
a blackjack dealer in Biloxi,
a dishwasher at The Cosmic
Onion in the Big Apple,
a gang boss in Galveston,
& smelled nothing but death
for over a year on a floating
factory off the coast of Alaska.
Yes, friend, there are seven
or...