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Table of Contents

  1. Visual Art
  3. DOI: https://doi.org/10.1353/cal.2005.0020
  4. restricted access
  1. Derek Walcott's "Reversible World": Centers, Peripheries, and the Scale of Nature
  2. Paul Breslin
  3. pp. 8-24
  4. DOI: https://doi.org/10.1353/cal.2005.0005
  5. restricted access
  1. Line
  2. John Robert Lee
  3. pp. 25-28
  4. DOI: https://doi.org/10.1353/cal.2005.0023
  5. restricted access
  1. Creole Language in the Poetry of Derek Walcott
  2. Laurence A. Breiner
  3. pp. 29-41
  4. DOI: https://doi.org/10.1353/cal.2005.0001
  5. restricted access
  1. Birthdays
  2. Mervyn Morris
  3. p. 42
  4. DOI: https://doi.org/10.1353/cal.2005.0029
  5. restricted access
  1. At a Poetry Reading
  2. Mervyn Morris
  3. p. 43
  4. DOI: https://doi.org/10.1353/cal.2005.0030
  5. restricted access
  1. Peelin Orange
  2. Mervyn Morris
  3. p. 44
  4. DOI: https://doi.org/10.1353/cal.2005.0031
  5. restricted access
  1. Of Men and Heroes: Walcott and the Haitian Revolution
  2. Edward Baugh
  3. pp. 45-54
  4. DOI: https://doi.org/10.1353/cal.2005.0002
  5. restricted access
  1. Enter Tiresias
  2. Seamus Heaney
  3. pp. 55-59
  4. DOI: https://doi.org/10.1353/cal.2005.0018
  5. restricted access
  1. Through Loins and Coins: Derek Walcott's Weaving of the West Indian Federation
  2. Joe Kraus
  3. pp. 60-74
  4. DOI: https://doi.org/10.1353/cal.2005.0022
  5. restricted access
  1. "Images of Flight. ..": "This time, Shabine, like you really gone!"
  2. Jane King
  3. pp. 75-86
  4. DOI: https://doi.org/10.1353/cal.2005.0021
  5. restricted access
  1. Tableau: Derek Walcott
  2. Rowan Ricardo Phillips
  3. p. 87
  4. DOI: https://doi.org/10.1353/cal.2005.0032
  5. restricted access
  1. The Privileges of Being Born in. .. A Backward and Underprivileged Society: Derek Walcott's Prodigal Provincialism
  2. Antonia MacDonald-Smythe
  3. pp. 88-101
  4. DOI: https://doi.org/10.1353/cal.2005.0025
  5. restricted access
  1. Going
  2. Kendel Hippolyte
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/cal.2005.0019
  5. restricted access
  1. Imitation versus Contestation: Walcott's Postcolonial Shakespeare
  2. Reed Way Dasenbrock
  3. pp. 104-113
  4. DOI: https://doi.org/10.1353/cal.2005.0008
  5. restricted access
  1. Gaudebo pour Derek Walcott
  2. Claire Malroux
  3. p. 115
  4. DOI: https://doi.org/10.1353/cal.2005.0024
  5. restricted access
  1. Gaudebo
  2. Claire Malroux
  3. p. 116
  4. DOI: https://doi.org/10.1353/cal.2005.0026
  5. restricted access
  1. Walcott's Traveler and the Problem of Witness
  2. Jeffrey Gray
  3. pp. 117-128
  4. DOI: https://doi.org/10.1353/cal.2005.0013
  5. restricted access
  1. Kingdoms
  2. Adam Zagajewski
  3. p. 129
  4. DOI: https://doi.org/10.1353/cal.2005.0033
  5. restricted access
  1. Camogli
  2. Adam Zagajewski
  3. p. 130
  4. DOI: https://doi.org/10.1353/cal.2005.0034
  5. restricted access
  1. Describing Pictures
  2. Adam Zagajewski, Clare Cavanagh
  3. p. 131
  4. DOI: https://doi.org/10.1353/cal.2005.0035
  5. restricted access
  1. Still Going On: Temporal Adverbs and the View of the Past in Walcott's Poetry
  2. Emily Greenwood
  3. pp. 132-145
  4. DOI: https://doi.org/10.1353/cal.2005.0014
  5. restricted access
  1. Walcott
  2. McDonald Dixon
  3. p. 146
  4. DOI: https://doi.org/10.1353/cal.2005.0009
  5. restricted access
  1. Forgettable Vacations and Metaphor in Ruins: Walcott's Omeros
  2. Natalie Melas
  3. pp. 147-168
  4. DOI: https://doi.org/10.1353/cal.2005.0028
  5. restricted access
  1. Weltschmerz
  2. Rita Dove
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/cal.2005.0010
  5. restricted access
  1. Walcott's Intertextual Method: Non-Greek Naming In Omeros
  2. Paula Burnett
  3. pp. 171-187
  4. DOI: https://doi.org/10.1353/cal.2005.0006
  5. restricted access
  1. Playing With Europe: Derek Walcott's Retelling of Homer's Odyssey
  2. Irene Martyniuk
  3. pp. 188-199
  4. DOI: https://doi.org/10.1353/cal.2005.0027
  5. restricted access
  1. Horseplay
  2. Robert Bensen
  3. p. 200
  4. DOI: https://doi.org/10.1353/cal.2005.0003
  5. restricted access
  1. Derek Walcott's Poetics of the Environment in The Bounty
  2. George B. Handley
  3. pp. 201-215
  4. DOI: https://doi.org/10.1353/cal.2005.0016
  5. restricted access
  1. "In God We Troust": Derek Walcott and God
  2. Fred D'Aguiar
  3. pp. 216-223
  4. DOI: https://doi.org/10.1353/cal.2005.0007
  5. restricted access
  1. Artists' Self-Portraiture and Self-Exploration in Derek Walcott's Tiepolo's Hound
  2. Peter Erickson
  3. pp. 224-235
  4. DOI: https://doi.org/10.1353/cal.2005.0012
  5. restricted access
  1. Triangulation and the Aesthetics of Temporality in Tiepolo's Hound
  2. George B. Handley
  3. pp. 236-256
  4. DOI: https://doi.org/10.1353/cal.2005.0017
  5. restricted access
  1. Practice
  2. Thomas Sayers Ellis
  3. pp. 258-259
  4. DOI: https://doi.org/10.1353/cal.2005.0011
  5. restricted access
  1. Introduction: Out of the Ordinary, Derek Walcott
  2. Robert D. Hamner
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/cal.2005.0015
  5. restricted access
  1. Contributors
  3. pp. 260-262
  4. DOI: https://doi.org/10.1353/cal.2005.0004
  5. restricted access