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In this Issue

Table of Contents

  1. Love Notes For Betty: A Eulogy
  2. David Lionel Smith
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/cal.2002.0045
  5. restricted access
  1. "Shoot Myself a Cop": Mamie Smith's "Crazy Blues" as Social Text
  2. Adam Gussow
  3. pp. 8-44
  4. DOI: https://doi.org/10.1353/cal.2002.0017
  5. restricted access
  1. News from Heaven: Vernacular Time in Langston Hughes's Ask Your Mama
  2. Larry Scanlon
  3. pp. 45-65
  4. DOI: https://doi.org/10.1353/cal.2002.0042
  5. restricted access
  1. Jazz Prosodies: Orality and Textuality
  2. Meta Du Ewa Jones
  3. pp. 66-91
  4. DOI: https://doi.org/10.1353/cal.2002.0022
  5. restricted access
  1. New Orleans Bibliography
  2. Tonya M. Foster
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/cal.2002.0016
  5. restricted access
  1. Jazz
  2. Fred Moten
  3. p. 94
  4. DOI: https://doi.org/10.1353/cal.2002.0034
  5. restricted access
  1. Miles Davis
  2. Fred Moten
  3. p. 95
  4. DOI: https://doi.org/10.1353/cal.2002.0035
  5. restricted access
  1. Gayl Jones
  2. Fred Moten
  3. p. 96
  4. DOI: https://doi.org/10.1353/cal.2002.0036
  5. restricted access
  1. Untitled
  2. Tracie Morris
  3. p. 97
  4. DOI: https://doi.org/10.1353/cal.2002.0032
  5. restricted access
  1. Liner Notes (Shuggie Otis Reissue)
  2. Brent Hayes Edwards
  3. pp. 98-101
  4. DOI: https://doi.org/10.1353/cal.2002.0014
  5. restricted access
  1. notes from the hot garbadine scene, The New Riviera Hotel, Dust Forever Halflife Bearings, and Oct. 5, 1963
  3. pp. 112-116
  4. DOI: https://doi.org/10.1353/cal.2002.0049
  5. restricted access
  1. Jail Poems
  2. Bob Kaufman
  3. pp. 117-121
  4. DOI: https://doi.org/10.1353/cal.2002.0023
  5. restricted access
  1. Bagel Shop Jazz
  2. Bob Kaufman
  3. pp. 122-123
  4. DOI: https://doi.org/10.1353/cal.2002.0024
  5. restricted access
  1. The Poet
  2. Bob Kaufman
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/cal.2002.0025
  5. restricted access
  1. Walking Parker Home
  2. Bob Kaufman
  3. p. 127
  4. DOI: https://doi.org/10.1353/cal.2002.0026
  5. restricted access
  1. The Ancient Rain
  2. Bob Kaufman
  3. pp. 128-132
  4. DOI: https://doi.org/10.1353/cal.2002.0027
  5. restricted access
  1. Benediction
  2. Bob Kaufman
  3. p. 133
  4. DOI: https://doi.org/10.1353/cal.2002.0028
  5. restricted access
  1. "A Hard Rain": Looking to Bob Kaufman
  2. Aldon Lynn Nielsen
  3. pp. 135-145
  4. DOI: https://doi.org/10.1353/cal.2002.0038
  5. restricted access
  1. "Remembering When Indians Were Red": Bob Kaufman, the Popular Front, and the Black Arts Movement
  2. James Smethurst
  3. pp. 146-164
  4. DOI: https://doi.org/10.1353/cal.2002.0044
  5. restricted access
  1. Saxophones and Smothered Rage: Bob Kaufman, Jazz and the Quest for Redemption
  2. Amor Kohli
  3. pp. 165-182
  4. DOI: https://doi.org/10.1353/cal.2002.0029
  5. restricted access
  1. Bob Kaufman and the (In)visible Double
  2. Jeffrey Falla
  3. pp. 183-189
  4. DOI: https://doi.org/10.1353/cal.2002.0015
  5. restricted access
  1. Between Black, Brown & Beige: Latino Poets and the Legacy of Bob Kaufman
  2. Rod Hernandez
  3. pp. 190-196
  4. DOI: https://doi.org/10.1353/cal.2002.0019
  5. restricted access
  1. The Poet in Post-Endurance
  2. Will Alexander
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/cal.2002.0001
  5. restricted access
  1. Wild American: For Bob
  2. Cornelius Eady
  3. p. 199
  4. DOI: https://doi.org/10.1353/cal.2002.0012
  5. restricted access
  1. The Clicker: For Bob Kaufman
  2. Tracie Morris
  3. p. 200
  4. DOI: https://doi.org/10.1353/cal.2002.0033
  5. restricted access
  1. Untitled
  2. David Meltzer
  3. pp. 201-202
  4. DOI: https://doi.org/10.1353/cal.2002.0030
  5. restricted access
  1. Untitled
  2. David Meltzer
  3. pp. 203-204
  4. DOI: https://doi.org/10.1353/cal.2002.0031
  5. restricted access
  1. Endlessly Mendlessly Seeking All Whole Nest
  2. Daniel Carter
  3. p. 205
  4. DOI: https://doi.org/10.1353/cal.2002.0004
  5. restricted access
  1. Untitled
  2. Daniel Carter, Scott Hreha
  3. pp. 206-213
  4. DOI: https://doi.org/10.1353/cal.2002.0005
  5. restricted access
  1. Walking Kaufman Home
  2. Everett Hoagland
  3. pp. 214-215
  4. DOI: https://doi.org/10.1353/cal.2002.0020
  5. restricted access
  1. Five Haiku
  2. James E. Cherry
  3. p. 216
  4. DOI: https://doi.org/10.1353/cal.2002.0006
  5. restricted access
  1. Beat
  2. James E. Cherry
  3. p. 217
  4. DOI: https://doi.org/10.1353/cal.2002.0007
  5. restricted access
  1. Missing in Action: For Bob Kaufman
  2. Horace Coleman
  3. pp. 218-219
  4. DOI: https://doi.org/10.1353/cal.2002.0008
  5. restricted access
  1. A Context for Understanding Inland Beatness and Bob Kaufman
  2. Horace Coleman
  3. pp. 220-221
  4. DOI: https://doi.org/10.1353/cal.2002.0009
  5. restricted access
  1. Unpainted Discussions/Bob Kaufman's E-Corpse
  2. Lisa Samuels, Maria Damon, Jordan Davis, Jorge Guitart, Rod Smith, Cris Cheek, Gabrielle Welford
  3. p. 222
  4. DOI: https://doi.org/10.1353/cal.2002.0041
  5. restricted access
  1. Mesostics for Bob Kaufman
  2. Giovanni Singleton
  3. pp. 223-228
  4. DOI: https://doi.org/10.1353/cal.2002.0043
  5. restricted access
  1. Zen Acorn
  2. Harryette Mullen
  3. p. 229
  4. DOI: https://doi.org/10.1353/cal.2002.0037
  5. restricted access
  1. Musical Score Written for Bob Kaufman
  2. William Parker
  3. p. 230
  4. DOI: https://doi.org/10.1353/cal.2002.0039
  5. restricted access
  1. Forget To Not
  2. Bob Kaufman
  3. p. 231
  4. DOI: https://doi.org/10.1353/cal.2002.0003
  5. restricted access
  1. Of Black Bards, Known and Unknown: Music as Racial Metaphor in James Weldon Johnson's The Autobiography of an Ex-Colored Man
  2. Salim Washington
  3. pp. 233-256
  4. DOI: https://doi.org/10.1353/cal.2002.0048
  5. restricted access
  1. The Role of the Blues in Gayl Jones's Corregidora
  2. Donia Elizabeth Allen
  3. pp. 257-273
  4. DOI: https://doi.org/10.1353/cal.2002.0002
  5. restricted access
  1. From "Liberating Voices" to "Metathetic Ventriloquism": Boundaries in Recent African-American Jazz Fiction
  2. Fritz Gysin
  3. pp. 274-287
  4. DOI: https://doi.org/10.1353/cal.2002.0018
  5. restricted access
  1. The Canonization of Jazz and Afro-American Literature
  2. Gregory V. Thomas
  3. pp. 288-308
  4. DOI: https://doi.org/10.1353/cal.2002.0047
  5. restricted access
  1. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music
  2. Guthrie P. Ramsey
  3. pp. 309-320
  4. DOI: https://doi.org/10.1353/cal.2002.0040
  5. restricted access
  1. Nathaniel Mackey's Bedouin Hornbook: An Annotated Discography of Specific Musical References
  2. Sarah Hreha, Scott Hreha
  3. pp. 321-337
  4. DOI: https://doi.org/10.1353/cal.2002.0021
  5. restricted access
  1. A Bibliography of Jazz Poetry Criticism
  2. Brent Hayes Edwards, John F. Szwed
  3. pp. 338-346
  4. DOI: https://doi.org/10.1353/cal.2002.0046
  5. restricted access
  1. Introduction
  2. Brent Hayes Edwards
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/cal.2002.0013
  5. restricted access
  1. Introduction
  2. Maria Damon
  3. pp. 105-111
  4. DOI: https://doi.org/10.1353/cal.2002.0011
  5. restricted access
  1. Contributors
  3. pp. 348-354
  4. DOI: https://doi.org/10.1353/cal.2002.0010
  5. restricted access