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In this Issue

Table of Contents

  1. Three Poems
  2. Nathaniel Mackey
  3. pp. 502-515
  4. DOI: https://doi.org/10.1353/cal.2000.0088
  5. restricted access
  1. Deep Trouble/Deep Treble: Nathaniel Mackey's Gnostic Rasp
  2. Peter O'Leary
  3. pp. 516-537
  4. DOI: https://doi.org/10.1353/cal.2000.0102
  5. restricted access
  1. Unveiling Expectancy: Nathaniel Mackey, Robert Duncan, and the Formation of Discrepant Subjectivity
  2. Andrew Mossin
  3. pp. 538-562
  4. DOI: https://doi.org/10.1353/cal.2000.0096
  5. restricted access
  1. Nathaniel Mackey and Lost Time: "The Phantom Light of All Our Day"
  2. Devin Johnston
  3. pp. 563-571
  4. DOI: https://doi.org/10.1353/cal.2000.0083
  5. restricted access
  1. Notes on Poetics Regarding Mackey's Song
  2. Brent Hayes Edwards
  3. pp. 572-591
  4. DOI: https://doi.org/10.1353/cal.2000.0079
  5. restricted access
  1. "Some Ecstatic Elsewhere": Nathaniel Mackey's Whatsaid Serif
  2. Paul Naylor
  3. pp. 592-605
  4. DOI: https://doi.org/10.1353/cal.2000.0099
  5. restricted access
  1. What of It I Refuse Awakes the Wide-Eyed Stone
  2. Marilyn Crispell
  3. pp. 606-607
  4. DOI: https://doi.org/10.1353/cal.2000.0078
  5. restricted access
  1. The Creak of Categories: Nathaniel Mackey's Strick: Song of the Andoumboulou 16-25
  2. Richard Quinn
  3. pp. 608-620
  4. DOI: https://doi.org/10.1353/cal.2000.0103
  5. restricted access
  1. "Beyond the Letter": Identity, Song, and Strick
  2. Jeffrey Gray
  3. pp. 621-639
  4. DOI: https://doi.org/10.1353/cal.2000.0080
  5. restricted access
  1. Performance Score for Bedouin Hornbook
  2. Glenn Spearman
  3. pp. 640-644
  4. DOI: https://doi.org/10.1353/cal.2000.0105
  5. restricted access
  1. An Interview with Nathaniel Mackey
  2. Paul Naylor, Nathaniel Mackey
  3. pp. 645-663
  4. DOI: https://doi.org/10.1353/cal.2000.0100
  5. restricted access
  1. Editing Hambone
  2. Nathaniel Mackey
  3. pp. 664-668
  4. DOI: https://doi.org/10.1353/cal.2000.0089
  5. restricted access
  1. Hushed Unwillingness: For Nate Mackey
  2. John Clarke
  3. p. 669
  4. DOI: https://doi.org/10.1353/cal.2000.0076
  5. restricted access
  1. Suite Quintet for Nathaniel Mackey
  2. Hank Lazer
  3. pp. 670-673
  4. DOI: https://doi.org/10.1353/cal.2000.0087
  5. restricted access
  1. For Nate Mackey
  2. Pierre Joris
  3. p. 674
  4. DOI: https://doi.org/10.1353/cal.2000.0084
  5. restricted access
  1. Performance Score for "Pierre's Words" / for Nate Mackey
  2. Pierre Joris
  3. pp. 675-677
  4. DOI: https://doi.org/10.1353/cal.2000.0085
  5. restricted access
  1. When Time Was Young We Were Too: To Nathaniel Mackey
  2. Duncan McNaughton
  3. pp. 678-679
  4. DOI: https://doi.org/10.1353/cal.2000.0094
  5. restricted access
  1. Living Dead: For Nathaniel Mackey
  2. Michael Magee
  3. p. 680
  4. DOI: https://doi.org/10.1353/cal.2000.0093
  5. restricted access
  1. The Bronx Tambourine
  2. Brian Kim Stefans
  3. p. 681
  4. DOI: https://doi.org/10.1353/cal.2000.0106
  5. restricted access
  1. Sisters of Charity
  2. Brian Kim Stefans
  3. pp. 682-683
  4. DOI: https://doi.org/10.1353/cal.2000.0107
  5. restricted access
  1. Les Assis
  2. Brian Kim Stefans
  3. pp. 684-686
  4. DOI: https://doi.org/10.1353/cal.2000.0108
  5. restricted access
  1. Suburban Night
  2. Brian Kim Stefans
  3. pp. 687-688
  4. DOI: https://doi.org/10.1353/cal.2000.0109
  5. restricted access
  1. Fact's Bird: After/for Nathaniel Mackey
  2. Brian Kim Stefans
  3. pp. 689-692
  4. DOI: https://doi.org/10.1353/cal.2000.0110
  5. restricted access
  1. ARC: For Nathaniel Mackey
  2. Andrew Mossin
  3. pp. 693-699
  4. DOI: https://doi.org/10.1353/cal.2000.0097
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  1. Nathaniel Mackey: "An ashen finesse"
  2. Will Alexander
  3. pp. 700-702
  4. DOI: https://doi.org/10.1353/cal.2000.0074
  5. restricted access
  1. An Interview with Nathaniel Mackey
  2. Charles H. Rowell, Nathaniel Mackey
  3. pp. 703-715
  4. DOI: https://doi.org/10.1353/cal.2000.0104
  5. restricted access
  1. Statement for Breaking Ice
  2. Nathaniel Mackey
  3. pp. 716-717
  4. DOI: https://doi.org/10.1353/cal.2000.0090
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  1. From From a Broken Bottle Traces of Perfume Still Emanate, Volume Four
  2. Nathaniel Mackey
  3. pp. 718-727
  4. DOI: https://doi.org/10.1353/cal.2000.0091
  5. restricted access
  1. Pair of Figures for Eshu: Doubling of Consciousness in the Work of Kerry James Marshall and Nathaniel Mackey
  2. Paul Hoover
  3. pp. 728-748
  4. DOI: https://doi.org/10.1353/cal.2000.0082
  5. restricted access
  1. Angles of Incidence / Angels of Dust: Operatic Tilt in the Poetics of H.D. and Nathaniel Mackey
  2. Adalaide Morris
  3. pp. 749-764
  4. DOI: https://doi.org/10.1353/cal.2000.0095
  5. restricted access
  1. Middle Voice Moves in Nathaniel Mackey's Djbot Baghostus's Run
  2. David C. Kress
  3. pp. 765-783
  4. DOI: https://doi.org/10.1353/cal.2000.0086
  5. restricted access
  1. Resisting the Law: Nathaniel Mackey's Djbot Baghostus's Run
  2. Dimitri Anastasopoulos
  3. pp. 784-795
  4. DOI: https://doi.org/10.1353/cal.2000.0075
  5. restricted access
  1. N + 1: Before-the-Fact Reading in Nathaniel Mackey's Postcontemporary Music
  2. Aldon Lynn Nielsen
  3. pp. 796-806
  4. DOI: https://doi.org/10.1353/cal.2000.0101
  5. restricted access
  1. Contacts: Writing by and about Nathaniel Mackey
  2. James C. Hall
  3. pp. 807-813
  4. DOI: https://doi.org/10.1353/cal.2000.0081
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  1. Destination Out
  2. Nathaniel Mackey
  3. p. 814
  4. DOI: https://doi.org/10.1353/cal.2000.0092
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  1. Introduction
  2. Paul Naylor
  3. pp. 499-501
  4. DOI: https://doi.org/10.1353/cal.2000.0098
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  1. Contributors
  3. pp. 815-817
  4. DOI: https://doi.org/10.1353/cal.2000.0077
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