We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 36, Number 2, Spring 2013

Table of Contents

In Memoriam: Chinua Achebe: November 16, 1930–March 21, 2013

p. vi | DOI: 10.1353/cal.2013.0108

Chinua Achebe: A Selective Bibliography of His Books

pp. 232-233 | DOI: 10.1353/cal.2013.0080


The Blue Between

pp. 255-256 | DOI: 10.1353/cal.2013.0115

Cartize, for Brittanica

p. 254 | DOI: 10.1353/cal.2013.0106


pp. 257-258 | DOI: 10.1353/cal.2013.0124

Surviving the Art

p. 259 | DOI: 10.1353/cal.2013.0132


p. 245 | DOI: 10.1353/cal.2013.0110

Blue Hijab

pp. 234-235 | DOI: 10.1353/cal.2013.0088

Pondering A

p. 240 | DOI: 10.1353/cal.2013.0122


p. 236 | DOI: 10.1353/cal.2013.0096

To Guide in Agadir

p. 239 | DOI: 10.1353/cal.2013.0113

The Waiting

pp. 237-238 | DOI: 10.1353/cal.2013.0104

The Exile Flies Home to Trout Hall, Jamaica

p. 249 | DOI: 10.1353/cal.2013.0082

Poems for Césaire

pp. 252-253 | DOI: 10.1353/cal.2013.0098

Miss Curaçao

pp. 246-247 | DOI: 10.1353/cal.2013.0119

Miss Trinidad and Tobago

p. 248 | DOI: 10.1353/cal.2013.0127

A Bronx New Year’s Eve

pp. 250-251 | DOI: 10.1353/cal.2013.0090


p. 241 | DOI: 10.1353/cal.2013.0130

Twenty Days and Another Bat: Yaddo, July 2010

p. 242 | DOI: 10.1353/cal.2013.0085

For the Sky, in Which You Will One Day, Belong

p. 244 | DOI: 10.1353/cal.2013.0101

Post-Dissertation-Intervention (ii.)

p. 243 | DOI: 10.1353/cal.2013.0093


Remembering Chinua Achebe

pp. 223-225 | DOI: 10.1353/cal.2013.0117


Listening to Chinua Achebe: A Memory

pp. 226-231 | DOI: 10.1353/cal.2013.0125

Interview with Jacob Lawrence

pp. 260-267 | DOI: 10.1353/cal.2013.0087


“Somos Afro”: Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia

pp. 391-402 | DOI: 10.1353/cal.2013.0109

Surface and Stasis: Re-reading Slave Narrative via The History of Mary Prince

pp. 298-311 | DOI: 10.1353/cal.2013.0112

Ballads Behind Bars: The Music of Lyfe Jennings as Art, Critique, and Healing Remedy

pp. 403-413 | DOI: 10.1353/cal.2013.0118

Dominance and the Triumph of the White Trickster Over the Black Picaro in Amiri Baraka’s Great Goodness of Life: A Coon Show

pp. 312-321 | DOI: 10.1353/cal.2013.0121

Slave Memory Without Words in Kyle Baker’s Nat Turner

pp. 279-297 | DOI: 10.1353/cal.2013.0103

In Search of Seven Sisters: A Biography of the Nardal Sisters of Martinique

pp. 375-390 | DOI: 10.1353/cal.2013.0100

Bringing Down the House: The Trickster’s Signifying on Victimization in Harriet E. Wilson’s Our Nig

pp. 440-460 | DOI: 10.1353/cal.2013.0089

Harlemite, Detective, African?: The Many Selves of Rudolph Fisher’s Conjure-Man Dies

pp. 268-278 | DOI: 10.1353/cal.2013.0095

Frantz Fanon and the Négritude Movement: How Strategic Essentialism Subverts Manichean Binaries

pp. 342-352 | DOI: 10.1353/cal.2013.0084

Du Bois’s Ambient Poetics: Rethinking Environmental Imagination in The Souls of Black Folk

pp. 322-341 | DOI: 10.1353/cal.2013.0129

Édouard Glissant: Creolization and the Event

pp. 353-374 | DOI: 10.1353/cal.2013.0092

“Rumpelstiltskin”: A Picture Book Multicultural Retelling

pp. 430-439 | DOI: 10.1353/cal.2013.0081

A Writing of Nothing: Intercession and the Autobiographical Subject in Olaudah Equiano’s Interesting Narrative

pp. 414-429 | DOI: 10.1353/cal.2013.0126

Book Reviews

Edwidge Danticat: A Reader’s Guide ed. by Martin Munro (review)

pp. 463-466 | DOI: 10.1353/cal.2013.0105

Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)

pp. 482-485 | DOI: 10.1353/cal.2013.0102

Unexpected Places: Relocating Nineteenth Century African American Literature by Eric Gardner, (review)

pp. 469-471 | DOI: 10.1353/cal.2013.0123

My Southern Home (Or, The South and Its People) by William Wells Brown (review)

pp. 461-463 | DOI: 10.1353/cal.2013.0097

Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement by Reiland Rabaka, and: From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity by Miles White (review)

pp. 474-477 | DOI: 10.1353/cal.2013.0086

European Others: Queering Ethnicity in Postnational Europe by Fatima El-Tayeb (review)

pp. 485-487 | DOI: 10.1353/cal.2013.0111

In Search of Brightest Africa: Reimagining the Dark Continent in American Culture, 1884–1936 by Jeannette Eileen Jones (review)

pp. 493-495 | DOI: 10.1353/cal.2013.0083

Prove It On Me: New Negroes, Sex, and Popular Culture in the 1920s by Erin D Chapman (review)

pp. 500-504 | DOI: 10.1353/cal.2013.0107

Carnival and National Identity in the Poetry of Afrocubanismo by Thomas S Anderson (review)

pp. 498-500 | DOI: 10.1353/cal.2013.0099

Romance, Diaspora, and Black Atlantic Literature by Yogita Goyal (review)

pp. 466-469 | DOI: 10.1353/cal.2013.0114

Living With Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 by Koritha Mitchell (review)

pp. 490-492 | DOI: 10.1353/cal.2013.0128

Mary Turner and the Memory of Lynching by Julie Buckner Armstrong (review)

pp. 488-490 | DOI: 10.1353/cal.2013.0120

Troubling Vision: Performance, Visuality, and Blackness by Nicole Fleetwood (review)

pp. 471-474 | DOI: 10.1353/cal.2013.0131

Monstrous Intimacies: Making Post-Slavery Subjects by Christina Sharpe (review)

pp. 496-498 | DOI: 10.1353/cal.2013.0091

Erotic Revolutionaries: Black Women, Sexuality and Popular Culture by Shayne Lee, and: Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance by James F Wilson (review)

pp. 478-482 | DOI: 10.1353/cal.2013.0094


pp. 505-508 | DOI: 10.1353/cal.2013.0116