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Browse Book and Journal Content on Project MUSE

Volume 35, Number 4, Fall 2012

Table of Contents



pp. 1047-1055 | DOI: 10.1353/cal.2013.0001


Telling Question

pp. 875-880 | DOI: 10.1353/cal.2013.0010

Daddy’s Rabbit Stew

pp. 873-874 | DOI: 10.1353/cal.2013.0003

All Apologies

p. 887 | DOI: 10.1353/cal.2013.0000


p. 888 | DOI: 10.1353/cal.2013.0046

Twenty-Nine Post-Its Because I Couldn’t Talk To You

p. 883 | DOI: 10.1353/cal.2013.0024

Damnatio Memoriae

p. 881 | DOI: 10.1353/cal.2013.0017


p. 882 | DOI: 10.1353/cal.2013.0045

Revolution Staccato in B

p. 897 | DOI: 10.1353/cal.2013.0036

Altar Call

p. 884 | DOI: 10.1353/cal.2013.0031


p. 899 | DOI: 10.1353/cal.2013.0047

Two Cities

p. 898 | DOI: 10.1353/cal.2013.0043

Civil Rights Cold Case #8 (Or a Christmas Premonition)

p. 896 | DOI: 10.1353/cal.2013.0029

The Americans

pp. 845-850 | DOI: 10.1353/cal.2013.0013

Nux Vomica (Poison Nut): from Boericke’s Materia Medica

pp. 885-886 | DOI: 10.1353/cal.2013.0038


from The Search

pp. 893-894 | DOI: 10.1353/cal.2013.0022

from What We Do Cherish

pp. 891-892 | DOI: 10.1353/cal.2013.0015

Adelaide’s Blues

pp. 862-866 | DOI: 10.1353/cal.2013.0027

The House Girl

pp. 851-861 | DOI: 10.1353/cal.2013.0020



pp. 900-904 | DOI: 10.1353/cal.2013.0005

Creative Nonfiction

The Bloodpeople in the Language

pp. 905-913 | DOI: 10.1353/cal.2013.0012


Necessary Crossings: Bridge, Flux, and Raft at “Translations” the 2011 Callaloo Conference

pp. 1010-1014 | DOI: 10.1353/cal.2013.0021

Risk and the Sublime: Pushing the Personal Limit at the 2012 Callaloo Creative Writing Workshop

pp. 868-870 | DOI: 10.1353/cal.2013.0034

Location and Scope

pp. 889-890 | DOI: 10.1353/cal.2013.0008

Keynote Introduction for Robert Farris Thompson

pp. 997-998 | DOI: 10.1353/cal.2013.0037

Reflections on Performing Ben Patterson’s “Paper Piece”

pp. 1021-1024 | DOI: 10.1353/cal.2013.0035

A Translation of a Translation: Response to Brent Hayes Edwards

pp. 975-978 | DOI: 10.1353/cal.2013.0016

Reflections on the 2011 Callaloo Conference

pp. 1033-1046 | DOI: 10.1353/cal.2013.0004

“That Ruthless”: Guts and Reconciliation in the Lyric of Experience

pp. 871-872 | DOI: 10.1353/cal.2013.0041

Response to Brent Edwards’s “The Taste of the Archive”

pp. 973-974 | DOI: 10.1353/cal.2013.0009

Poetry Night

pp. 1025-1032 | DOI: 10.1353/cal.2013.0042

Seeing Double: Creative Writing as Translation

pp. 1001-1005 | DOI: 10.1353/cal.2013.0007

The “Yeas” Have It for “Translation”: Notes from the Editor

pp. 915-924 | DOI: 10.1353/cal.2013.0019

Black Body Returned: A Response to George Lewis’s talk “In Search of Ben Patterson: An Improvised Journey”

pp. 1015-1020 | DOI: 10.1353/cal.2013.0028

Commander of the Cool: Translating the Art of an African Woman Excerpts from Robert Farris Thompson’s Final Keynote Address

pp. 999-1000 | DOI: 10.1353/cal.2013.0044

Seeing in the Dark

pp. 1006-1009 | DOI: 10.1353/cal.2013.0014

Translating Black Power and Beauty—: Carrie Mae Weems

pp. 993-996 | DOI: 10.1353/cal.2013.0030

Introduction for Hortense Spillers

pp. 925-928 | DOI: 10.1353/cal.2013.0026


La Negra Angustias: The Mulata in Mexican Literature and Cinema

pp. 1085-1102 | DOI: 10.1353/cal.2013.0018

The Taste of the Archive

pp. 944-972 | DOI: 10.1353/cal.2013.0002

Space, that Bottomless Pit: Planetary Exile and Metaphors of Belonging in American Afrofuturist Cinema

pp. 1103-1122 | DOI: 10.1353/cal.2013.0025

“Don’t Let Me Be Misunderstood”: Nina Simone’s Theater of Invisibility

pp. 1056-1084 | DOI: 10.1353/cal.2013.0011

In Search of Benjamin Patterson: An Improvised Journey

pp. 979-992 | DOI: 10.1353/cal.2013.0023

Creative Writing as Translation

pp. 939-943 | DOI: 10.1353/cal.2013.0040

A Transatlantic Circuit: Baldwin at Mid-Century Opening Keynote Address

pp. 929-938 | DOI: 10.1353/cal.2013.0033


p. v | DOI: 10.1353/cal.2013.0006


pp. 1123-1128 | DOI: 10.1353/cal.2013.0032

Author and Title Index to Callaloo Volume 35 (Whole Numbers 130–133)

pp. 1131-1137 | DOI: 10.1353/cal.2013.0039