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Callaloo

Volume 32, Number 3, Summer 2009

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E-ISSN: 1080-6512 Print ISSN: 0161-2492

Table of Contents

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Introduction

Abrading Boundaries: Reconsidering Barbara Chase-Riboud's Sculpture, Fiction, and Poetry
pp. 711-716

Subject Headings:

Poetry

The Venus Hottentot (1825)
pp. 725-728

Subject Headings:

Anna
pp. 732-735

Subject Headings:

Bathers
pp. 855-856

Subject Headings:

Bullock's Liverpool Museum
pp. 729-731

Subject Headings:

Curving Like a Colorless Vasarely
pp. 858-860

Subject Headings:

For Alice Walker
p. 857

Subject Headings:

On Hearing of a Death in Prison
pp. 955-957

Subject Headings:

Ponies . . .
pp. 883-884

Subject Headings:

Fiction

from Central Park
pp. 999-1013

Subject Headings:

from Hottentot Venus
pp. 717-724

Subject Headings:

Non-Fiction Prose

The Sally Hemings Case
pp. 822-823
Gordon S. Wood replies:
pp. 823-825
Slavery as a Problem in Public History: Or Sally Hemings and the "One Drop Rule" of Public History
pp. 826-831

Interview

On Her Own Terms: An Interview with Barbara Chase-Riboud
pp. 736-757

Sculpture Gallery

Images
pp. 885-896

Subject Headings:

Photographs

Photographs
pp. vi, 716, 735, 854, 860, 883, 980

Articles

In the Interstices of Sculpture and Poetry: Sewing and Basting
pp. 981-998
"A Seeping Invisibility": Maternal Dispossession and Resistance in Barbara Chase-Riboud's Sally Hemings and The President's Daughter
pp. 792-808
Orienting "Composure" in the Sculptural and Poetic Work of Barbara Chase-Riboud
pp. 958-980
Our Founding (M)other: Erotic Love and Social Death in Sally Hemings and The President's Daughter
pp. 773-791
Politics of Belonging: Race, Freedom, and Subjectivity in Barbara Chase-Riboud's Echo of Lions
pp. 845-854
Omnipresent Negation: Hottentot Venus and Africa Rising
pp. 910-933
History Repeating Itself: Passing, Pudd'nhead Wilson, and The President's Daughter
pp. 809-821
Spirit of the Amistad: Figurations of Women in Echo of Lions
pp. 832-844
The Iron Fettered Weight of All Civilization: The Project of Barbara Chase-Riboud's Narratives of Slavery
pp. 758-772
Barbara Chase Riboud's Sculpture
pp. 861-878
Retrospective: Reflections on Barbara Chase-Riboud (2008)
pp. 879-881
Black Girls in Paris: Sally Hemings, Sarah Baartman, and French Racial Dystopias
pp. 934-954
Life, Liberty, and the Pursuit of Capital: In Barbara Chase Riboud's "Central Park"
pp. 1014-1026

Sheet Music

Forward
p. 897
"But beware, beloved, Ptolemy women engender violence"
pp. 898-905
"And so love passed through a nude woman"
pp. 906-909

Book Reviews

Babylon Girls: Black Women Performers and the Shaping of the Modern (review)
pp. 1026-1030
James Baldwin's Turkish Decade: Erotics of Exile (review)
pp. 1030-1032
After Winter: The Art and Life of Sterling A. Brown (review)
pp. 1033-1036

Contributors

Contributors
pp. 1037-1039

© 2009 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.