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Table of Contents

  1. Observations By Ezra Pound on the Dramatic Quality of Lope de Vega
  2. Louis C. Pérez
  3. pp. 19-21
  4. DOI: https://doi.org/10.1353/boc.1955.0008
  5. restricted access
  1. Necrology: Claude E. Anibal
  2. Ramon Rozzell, Frank Platt
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/boc.1955.0011
  5. restricted access
  1. Comediantes de Convene In Chicago December 27
  3. p. 22
  4. DOI: https://doi.org/10.1353/boc.1955.0013
  5. restricted access
  1. Early Editions of Lope's Works Sold
  3. p. 22
  4. DOI: https://doi.org/10.1353/boc.1955.0001
  5. restricted access
  1. Finea in Lope's La Dama Bobo in the Light of Modern Psychology
  2. Joseph E. Fucilla
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/boc.1955.0003
  5. restricted access
  1. A Current Bibliography of Foreign Publications Dealing with the Comedia
  2. Jack H. Parker, Karl L. Selig
  3. pp. 23-27
  4. DOI: https://doi.org/10.1353/boc.1955.0005
  5. restricted access
  1. The Gracioso Takes the Audience into His Confidence
  2. Sturgis E. Leavitt
  3. pp. 27-29
  4. DOI: https://doi.org/10.1353/boc.1955.0007
  5. restricted access
  1. Bigoteras and the Date of Lope's El cuerdo en su casa
  2. William E. Wilson
  3. pp. 29-31
  4. DOI: https://doi.org/10.1353/boc.1955.0010
  5. restricted access
  1. Lope's El mejor alcalde el rey: addendum To a Note by Sturgis E. Leavitt
  2. Albert E. Sloman
  3. pp. 17-19
  4. DOI: https://doi.org/10.1353/boc.1955.0006
  5. restricted access