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Browse Book and Journal Content on Project MUSE

Volume 56, Number 1, 2004

Table of Contents

Editor's note

pp. 5-6 | DOI: 10.1353/boc.2004.0025

The Nahuatization of Paul in La conversión de san Pablo

pp. 7-43 | DOI: 10.1353/boc.2004.0015

Numancia: "nuestra historia"

pp. 45-54 | DOI: 10.1353/boc.2004.0017

¿Cómo hacer cosas con los enigmas?: La vida es sueño o el drama del desengaño

pp. 55-75 | DOI: 10.1353/boc.2004.0019

La herencia de la commedia dell'arte italiana en la conformación del personaje de Juan Rana

pp. 77-96 | DOI: 10.1353/boc.2004.0021

'Un hombre sin nombre': The Mirroring of Language and Nature in Tirso's El burlador de Sevilla

pp. 97-114 | DOI: 10.1353/boc.2004.0023

Beleaguered Hegemony and Triangular Desire in Lope de Vega's Las famosas asturianas and John Ford's Stagecoach

pp. 115-142 | DOI: 10.1353/boc.2004.0024

"Back to Basics"

Special Section on the Comedia at the 2002 MLA Convention:

Back to Basics: What Every Comediante Should Know: Confessions of a Panel Organizer

pp. 145-147 | DOI: 10.1353/boc.2004.0026

Comedia and the Art of Construction

pp. 149-152 | DOI: 10.1353/boc.2004.0016

Why We Don't Get No Respect and What We Are Doing About It; Or, The Rapprochement of Body and Mind and the Return of Comedia Studies

pp. 153-161 | DOI: 10.1353/boc.2004.0018

The Spanish Comedia: On Canons and Kinds

pp. 163-168 | DOI: 10.1353/boc.2004.0020

What Every Comediante Mentor Should Know

pp. 169-174 | DOI: 10.1353/boc.2004.0022