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Table of Contents

  1. La Comedia at the Border: Francisco Manuel de Melo's O Fidalgo Aprendiz
  2. Edward H. Friedman
  3. pp. 5-14
  4. DOI: https://doi.org/10.1353/boc.1997.0001
  5. restricted access
  1. Mal de amor y alteridad en un texto de Sor Juana: El Divino Narciso Reescribe a Calderón
  2. Viviana Díaz Balsera
  3. pp. 15-33
  4. DOI: https://doi.org/10.1353/boc.1997.0004
  5. restricted access
  1. Awakening from the Dream: Calderón and the Perennial Philosophy
  2. Michael Bradburn-Ruster
  3. pp. 35-54
  4. DOI: https://doi.org/10.1353/boc.1997.0007
  5. restricted access
  1. Religion and Politics in Felipe Godínez's El divino Isaac
  2. Ted Parks
  3. pp. 55-66
  4. DOI: https://doi.org/10.1353/boc.1997.0010
  5. restricted access
  1. Calderón, Antes que todo es mi dama, y los vínculos de la amistad
  2. Bernard P. E. Bentley
  3. pp. 67-88
  4. DOI: https://doi.org/10.1353/boc.1997.0013
  5. restricted access
  1. The Golden Age Playgoing Public: From the Highest to the Lowest?
  2. Jane W. Albrecht
  3. pp. 89-96
  4. DOI: https://doi.org/10.1353/boc.1997.0016
  5. restricted access
  1. El moro retador y el moro amigo (Estudios sobre fiestas y comedias de moros y cristianos) (review)
  2. John J. Reynolds
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/boc.1997.0000
  5. restricted access
  1. La fundadora de la Santa Concepción. Comedia en dos partes (review)
  2. Robert R. Morrison
  3. pp. 99-101
  4. DOI: https://doi.org/10.1353/boc.1997.0003
  5. restricted access
  1. Auto Sacramental (review)
  2. Ángel Valbuena-Briones
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/boc.1997.0006
  5. restricted access
  1. Cultural Authority in Golden Age Spain (review)
  2. Barbara Simerka
  3. pp. 103-106
  4. DOI: https://doi.org/10.1353/boc.1997.0009
  5. restricted access
  1. Allegories of Kingship: Calderón and the Anti-Machiavellian Tradition (review)
  2. A. Robert Lauer
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/boc.1997.0012
  5. restricted access
  1. El gran teatro de Calderón. Personajes, temas, escenografía (review)
  2. Ricardo Arias
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/boc.1997.0018
  5. restricted access
  1. Three Plays by Moreto and Their Adaptation in France (review)
  2. David H. Darst
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/boc.1997.0002
  5. restricted access
  1. The Perfect King/El rey más perfecto (review)
  2. Glen F. Dille
  3. pp. 115-117
  4. DOI: https://doi.org/10.1353/boc.1997.0005
  5. restricted access
  1. Feminism and the Honor Plays of Lope de Vega (review)
  2. Valerie Hegstrom
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/boc.1997.0008
  5. restricted access
  1. El Chamizal, 1997
  2. Kenneth A. Stackhouse
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/boc.1997.0011
  5. restricted access
  1. Comediantes Banquet
  2. Charles Garelin
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/boc.1997.0040
  5. restricted access
  1. Index
  2. pp. 220-231
  3. DOI: https://doi.org/10.1353/boc.1997.0017
  4. restricted access