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Browse Book and Journal Content on Project MUSE

Volume 46, Number 2, 1994

Table of Contents

Refashioning the Maze: The Interplay of Gender and Rank in Cervantes's El laberinto de amor

pp. 165-185 | DOI: 10.1353/boc.1994.0032

Parody, Gender and Dress in Lope's La doncella Teodor

pp. 187-206 | DOI: 10.1353/boc.1994.0004

Disguised Discourse: Emblems in Lope de Vega's El castigo sin venganza

pp. 207-217 | DOI: 10.1353/boc.1994.0009

Agustín Moreto y Cabaña: A Transitional Playwright and His Heroines

pp. 219-228 | DOI: 10.1353/boc.1994.0014

El acierto en el engaño y robador de su honra de Luis de Belmonte Bermüdez: comedia inédita del siglo XVII

pp. 229-255 | DOI: 10.1353/boc.1994.0020

From Crónica to Comedia: Catholic Evangelization and Indigenous Oral Traditions in the Inca Garcilaso and Calderón

pp. 257-271 | DOI: 10.1353/boc.1994.0026

The Don Juan Theme. An Annotated Bibliography of Versions, Analogues, Uses, and Adaptations (review)

pp. 273-274 | DOI: 10.1353/boc.1994.0030

De la comedia humanística al teatro representable (review)

pp. 275-277 | DOI: 10.1353/boc.1994.0002

The Novelist as Playwright: Cervantes and the Entremés nuevo (review)

pp. 277-278 | DOI: 10.1353/boc.1994.0007

Miguel de Cervantes' Interludes/Entremeses (review)

pp. 279-281 | DOI: 10.1353/boc.1994.0012

Bibliography of Publications on the Comedia (1993-1994)

pp. 283-358 | DOI: 10.1353/boc.1994.0018


pp. 359-369 | DOI: 10.1353/boc.1994.0024